by Michael Ian Black ; illustrated by Debbie Ridpath Ohi ‧ RELEASE DATE: Feb. 24, 2026
A sound reminder for all—both kids and the adults who are responsible for scheduling their time.
Actor, comedian, and writer Black and illustrator Ohi team up once more, this time for the story of an overscheduled youngster who must make time to relax.
The pigtailed young girl from the creators’ previous collaborations—among them I’m Bored (2012), I’m Sad (2018), and I’m Sorry (2021)—is fretting. The child’s friends—a flamingo and a sentient potato—want to have fun. But each time her pals propose a new activity, the girl has the same response: “I’m busy.” She has coding projects to finish, science experiments to try, and trumpet practice to attend; there’s never enough time. Plus, school is starting soon, and as the youngster frantically notes, “I’ve only got twelve years before college applications are due!” (Chuckle-worthy to be sure, but also, worryingly, this statement rings true.) Luckily, the tot finds the key—balance. (“Like balancing on one leg?” the flamingo asks, hopefully.) After flopping on the ground from pure exhaustion, the child recognizes the importance of taking time for oneself and friends. Deftly expressed stylistic choices from previous works are echoed here: color-coded text, one full spread of overwhelmed yelling (filled with oversize words), and, of course, the inevitable, full-circle moment: “I’m bored.” The child’s feelings are perhaps most effectively captured on Ohi’s brilliant endpapers, where the word busy grows, multiplies and crowds the edges. The protagonist has skin the white of the page.
A sound reminder for all—both kids and the adults who are responsible for scheduling their time. (Picture book. 4-7)Pub Date: Feb. 24, 2026
ISBN: 9781665915243
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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