by Michael Ian Black ‧ RELEASE DATE: July 15, 2008
Uneven, but more hits than misses.
Stand-up comedian and character actor Black debuts with an amusing collection of essays.
For years the author has augmented his stand-up career with a variety of roles in film (most notably in Wet Hot American Summer) and television, including great work on the criminally short-lived MTV sketch show, The State. Many of these roles have honed his unique ability to deliver dry, often hyperbolic jabs at, well, seemingly anything that pops into his head. In his first book, those topics include David Sedaris (“It’s important to understand that when you read the words ‘David Sedaris’ and ‘suck it,’ they are not actually directed at David Sedaris the person, but more at the idea of David Sedaris”; shopkeeping (“A shoppe is a place where business is conducted, yes, but it’s also a place where friendships are formed, trust earned, scented candles smelled”); Socratic reasoning (the hilarious “Using the Socratic Method to Determine What It Would Take for Me to Voluntarily Eat Dog Shit for the Rest of My Life”); and his own writing talent (“Acceptance Speech I Plan to Give Upon Receiving Some Kind of Important Literary Prize for Writing this Book”). Black also includes plenty of adolescent humor of the sexual and scatological nature, including “This Is How I Party” (“to win…means showing up alone, but going home with the HOTTEST girl who is the LEAST conscious”), “How to Approach the Sensitive Question: Anal?” and “Why I Used a Day-Glo Marker to Color My Dick Yellow.” As can be expected in a collection of 50 short essays, there are some misfires, including a couple lame stabs at offbeat erotic fiction and a few half-formed pieces like “Now We Will Join Forces, You and I” and “Stan the Oracle.” But the best entries, like his take on the “Infinite Monkey Probability Theorem,” are mini comic gems: “Upon closer examination, however, I realized that what I was reading was not Hamlet, but the second act of Your Five Gallants, by the lesser Elizabethan playwright Thomas Middleton. So frustrating!!!”
Uneven, but more hits than misses.Pub Date: July 15, 2008
ISBN: 978-1-4169-6405-6
Page Count: 224
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2008
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by Michael Ian Black ; illustrated by Debbie Ridpath Ohi
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by Michael Ian Black ; illustrated by Debbie Ridpath Ohi
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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