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THE PERFUME BURNED HIS EYES

Some fictional trips into 1970s New York abound with nostalgia; this novel memorably opts for grit and heartbreak.

The protagonist of this coming-of-age novel set in late-1970s New York City falls under the wing of an unlikely mentor: Lou Reed.

The Sopranos actor Imperioli’s first novel begins with a family sundered. Narrator Matthew details the death of his estranged father, his mother’s growing dependence on pills, and an inheritance that prompts the two of them to leave the confines of their Queens neighborhood for an upscale apartment in Manhattan. Among their neighbors is Lou Reed, at a point in his life when he rapidly veered from grandiose to paranoid, from generous to menacing. As Matthew comes to terms with his feelings for his classmate Veronica, he becomes increasingly aware of perspectives other than his own, along with a growing restlessness. Early on, Matthew recalls a dinner with a boorish friend of his that quickly turns violent, as he lashes out after his friend makes a number of grotesque and sexist comments. At the beginning of the next chapter, he pauses and then recants his earlier words: “I’m a liar. A liar and a coward.” Imperioli plays with this kind of narrative tension throughout. The arc of the novel—a young man forming a tense, unpredictable bond with a mercurial mentor—is familiar, but Imperioli’s lived-in details about the city help make the world feel realistic. And while some of the novel’s characters, Veronica in particular, call out for more time on the page, the end result is an immersive trip into its narrator’s memories of a turbulent time.

Some fictional trips into 1970s New York abound with nostalgia; this novel memorably opts for grit and heartbreak.

Pub Date: April 3, 2018

ISBN: 978-1-61775-620-7

Page Count: 270

Publisher: Akashic

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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