“Haiku and bird-watching are kindred arts,” writes the Ohio-based author on the jacket flap, “the subject of both is often a fleeting impression—a snatched glimpse.” Rosen’s poetic reflection eloquently captures the essence of this season-by-season celebration of 24 common American birds, and of haiku. Fellows’s gorgeous watercolor sketches on double-page spreads model hummingbirds, grackles and purple finches in their natural habitats, while brief avian observations (in a delicate cursive that requires a bit of squinting) evoke an enthusiastic birder’s field notes. For instance, on the American goldfinch spread, it’s noted, “funny—their song is ‘potato-chips, potato-chips’.” Each haiku mirrors one of the author’s “fleeting impressions”: That notorious mimic, the Northern mockingbird, is depicted as “the one-man bird band: / diva, choir, and orchestra / unbroken record” and, in another favorite, “wild turkeys’ snow tracks / their arrows point us one way / they go the other.” A not-to-be-ignored appendix (which highlights the book’s unfortunate lack of pagination!) lists the 24 species and expands upon the author’s personal insights—often quite wonderful—into both the birds and the words. (Poetry. 6-10)
Pub Date: March 1, 2009
ISBN: 978-0-7636-3049-2
Page Count: 64
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2009
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
The creepy-crawly close-up photo of a hairy spider on the cover will have kids (and adults) saying “Yuck!” while they grab the book to look for more inside. As with other Simon photographic nonfiction, this presents information on spiders in easy, understandable prose. The facts are made relative—for example, “jumping spiders can leap a distance of 40 times the length of its own body, the same as if you jumped the length of two basketball courts and made a slam dunk.” Examples interestingly describe the facts, e.g., “some spider silk is three times stronger than steel wire of the same thickness.” This is casual nonfiction, no chapters, categories, or index, but the amazing close-up color photos make the almost conversational text captivating. A subject that both fascinates and repels at the same time, this mini-documentary will have kids spinning their own stories about the spiders they’ve now discovered. (Nonfiction. 6-10)
Pub Date: Nov. 1, 2003
ISBN: 0-06-028391-2
Page Count: 32
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2003
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