LANDSCAPE OF MURDER

An English artist’s discerning eye puts him in danger.

Nick Morris is a talented artist who scratches out a living painting portraits of cats. Then his banker friend Geoff Hatch invites him to lunch and offers him a chance to paint a house portrait for Derek Swann, a wealthy entrepreneur who’s selling up and moving overseas. A few weeks later, Nick nurses his beloved Morgan along to the Peak district, where he’s rented a chalet in a holiday park for the duration, and is immediately hailed by his flamboyant neighbor, writer Megan Lamplighter. After noticing a nervous teenager hanging around and a series of off-putting bikers, Nick leaves to meet Swann at the picturesque village of Tissington. Oddly, Swann takes off at the appearance of a Harley rider who seems to be following that nervous boy. Biker Jez Cooper tells Nick a tale of how Swann cheated him out of his software company. As he makes the preliminary sketches for his portrait, Nick can’t help but notice some odd goings-on that he attributes to drug dealing. Someone takes Nick’s observant ways for snooping. The results are a break-in at the chalet, enough physical threats to make him nervous, and a stolen car part that forces him to bike to his destinations. Then, while they’re on a walk, he and Megan find the body of the young man, who turns out to have been Cooper’s son. Megan makes up a number of fanciful stories to account for all the strange happenings, but Nick looks for more rational explanations, especially after he learns that the young man was stabbed.

A delightfully realistic protagonist and plenty of madcap scenarios add up to a fun read.