by Michael Kosser ‧ RELEASE DATE: June 15, 2006
An excellent history of the country-music business, told by those who know.
Insider Kosser uses a medley of first-person recollections to explain how a subculture of Tennessee’s capital turned it into the world’s country-music capital.
The history of Music Row began over half-a-century ago when bandleader Owen Bradley joined forces with guitarist Chet Atkins and cut records in a surplus Quonset hut on Nashville’s Sixteenth Avenue. They had a bunch of hits, and it sounded real good in there, so it was not long before guitars were being passed around among the first generation of stars: Hank Snow, Roy Acuff, Red Foley and Tex Ritter, with backup by the Jordanaires and the Anita Kerr Singers. Sixteenth Avenue became Music Row, where the songwriters, the sidemen and the stars met with the suits, the producers and the A&R guys. Elvis showed up to record “Heartbreak Hotel.” Willie Nelson, Tammy Wynette, Garth Brooks, Patsy Cline and Dolly Parton talked of demos and acoustics with the engineers, producers and promoters down at Tootsie’s Orchid Lounge. It’s all recalled, often with sly country wit, by the folks who devised the fuzz-tone chords, played the tick-tack bass, operated the drum machine or adjusted the mike and, in the process, moved millions of units. Rock-’n’-roll challenged the business, the outlaws were accommodated and the folks on Sixteenth still wait for a kiss of approval from establishment Nashville. A little skimpy on the subject of the power wielded by the Country Music Association and the Opry, the text nonetheless contains the authentic voices of the professionals who created Music City. It was never about the deals, they remind us: It was always about the music, hoss, the music.
An excellent history of the country-music business, told by those who know.Pub Date: June 15, 2006
ISBN: 0-634-09806-3
Page Count: 360
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2006
Share your opinion of this book
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Awards & Accolades
Likes
19
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2017
New York Times Bestseller
IndieBound Bestseller
National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Share your opinion of this book
More by David Grann
BOOK REVIEW
by David Grann
BOOK REVIEW
by David Grann
BOOK REVIEW
by David Grann
More About This Book
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
Awards & Accolades
Likes
21
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2015
Kirkus Prize
winner
New York Times Bestseller
IndieBound Bestseller
National Book Award Winner
Pulitzer Prize Finalist
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
Share your opinion of this book
More by Ta-Nehisi Coates
BOOK REVIEW
by Ta-Nehisi Coates ; illustrated by Jackie Aher
BOOK REVIEW
BOOK REVIEW
More About This Book
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.