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MAD GIRLS IN LOVE

At 500-plus pages, more panorama then drama.

Sequel to the much darker Crazy Ladies (1990), West’s fourth is a marathon romp through Southern froth.

After leaping from the roof of husband Albert’s dime-store, Dorothy Hamilton McDougal weathers confinement in an asylum and electroshock by corresponding with First Ladies. Daughter Bitsy clobbers husband Claude with a package of frozen baby backribs (he tried to drown her in a slow-draining sink), then flees to the Gulf Coast with baby Jennifer. Dorothy’s sister, Clancy Jane, holds down the ancestral abode at 214 Dixie in Crystal Falls, Tenn. A former hippie, Clancy is married to physician Byron. Next door in Dorothy’s brick house, son Mack, a Vietnam vet and amputee, lives in redneck bliss with Earlene. From 1972 to 1994, the Hamilton/MacDougal women strive in vain to escape their collective destiny: bumbling and/or skirt-chasing men. Parental favoritism and sibling distrust, traceable to redoubtable ancestor Miss Gussie, continue. Robbed of custody by Claude’s snooty family, Bitsy nevertheless becomes an off-and-on babysitter for Jennifer. Dorothy returns from the funny farm with shocked-white hair and eyebrows singed bare. Albert has divorced her and married a cashier from the store. Clancy starts a gourmet café, then moves to a remote mountain house. She replaces Byron, driven off by her Buddhist scorched-earth school of interior décor, with proliferating cats. Along the way, her daughter, Violet, becomes a psychiatrist and enjoys the story’s only stable marriage. After an aborted engagement to a dentist, whose flagrantly awful family mires him forever, Bitsy acquires polish as the wife of New Orleans star cardiologist Louie. But his incorrigible yen for nubile nurses eventually compels her to flee to London, where she finally finds a trustworthy male. A wedding scene, in which Jennifer narrowly misses succumbing to the Wentworth syndrome of enabling ne’er-do-well husbands, brings the bloodlines and plotlines together in clichéd celebration of family craziness.

At 500-plus pages, more panorama then drama.

Pub Date: July 5, 2005

ISBN: 0-06-018406-X

Page Count: 544

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2005

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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