MONEYBALL

A solid piece of iconoclasm: the intriguing tale of Major League baseball's oddfellows—the low-budget but winning Oakland Athletics.

Here's the gist, that baseball, from field strategy to player selection, is “better conducted by scientific investigation—hypotheses tested by analysis of historical baseball data—than be reference to the collective wisdom of old baseball men.” Not some dry, numbing manipulation of figures, but an inventive examination of statistics, numbers that reveal what the eye refuses to see, thanks to ingrained prejudices. As in most of Lewis's work (The New New Thing, 1999, etc.), a keen intellect is at work, a spry writing style, a facility to communicate the meaning of numbers, an infectious excitement, and a healthy disdain for the aura and power of big bucks. Such is the situation here: The Oakland A's have a budget that would hardly cover the Yankee's chewing tobacco. Their General Manager, Billy Beane, and his band of Harvard-educated assistants, are the heirs of Bill James (of whom there is an excellent portrait here). They creatively use stats to discover unsung talent—gems not so much in the rough as invisible to the overburden of received wisdom—a guy who will get on base despite being shaped like a pear or control the strike zone even if his fastball can't get out of third gear, measuring the measurables to garner fine talent at basement prices. At least for a few seasons, until the talent's worth is common knowledge and off they go to clubs who can pay them millions. And the A's win, and win and win, not yet to a Series victory, but edging closer. The story clicks along with steady momentum, and possesses excellent revelatory powers. There’s a method to the madness of the Beane staff, and Lewis incisively explains its inspired, heretical common sense.

Has Lewis spilled Beane's beans? Maybe so, but considering the mulish dispositions of baseball's scouts and front offices, they'll miss the boat again.