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COLD BLOOD

Lister (Blood Work, 2017, etc.) packs this fast-paced thriller with plenty of social commentary and tops it off with a...

A Florida expert at clearing cold cases meets his match.

John Jordan is both a prison chaplain and an investigator for the Gulf County Sheriff’s Department. Reporter/blogger Merrick McKnight, the partner of John’s boss, Sheriff Reggie Summers, wants John to help him and another friend, Daniel, a retired professor of religion, solve a tough case. Merrick and Daniel have been recording a true-crime podcast on the disappearance of 21-year-old Randa Raffield in 2005. Randa was a student at the University of West Florida, a beauty and champion swimmer whose car was found hundreds of miles away from the Pensacola rally she was supposed to be attending. She’d been in a minor accident, but truck driver Roger Lamont, who arrived on the scene moments later, testified that she seemed fine and did not want him to call the police. Worried about her safety, he called anyway, and when the police arrived less than seven minutes later, Randa had vanished and has remained unseen despite a massive search. Agreeing to help, John listens to all the podcast episodes he’s missed to bring him up to speed. Merrick and Daniel had managed to get interviews with most of the people in Randa’s life: her father, her most recent boyfriend, some college friends, and true-crime blogger and podcaster Nancy Drury, who the men invite to add a female viewpoint. Theories abound concerning the young woman who’d graduated from childhood abuse by her aunt’s boyfriend to drug and alcohol use and plenty of sex: Randa was suicidal; she was picked up and killed by a stranger or someone she knew; she ran off to a new life. Despite threats from someone claiming to be the killer to everyone involved in trying to solve the case, John becomes obsessed with finding the truth, something the self-proclaimed killer tells him will never happen.

Lister (Blood Work, 2017, etc.) packs this fast-paced thriller with plenty of social commentary and tops it off with a lollapalooza of an ending.

Pub Date: Nov. 14, 2017

ISBN: 978-1-888146-71-4

Page Count: 304

Publisher: Pulpwood Press

Review Posted Online: Sept. 18, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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