by Michael Morpurgo ‧ RELEASE DATE: Sept. 4, 2012
Humanity triumphs over evil and bureaucracy in this heart-rending and heart-affirming story.
Two 14-year-old boys, one Afghan and one English, find friendship with each other and with two exceptional dogs.
Aman and his mother have fled the horrors of life under the Taliban for asylum in England, only to face deportation six years later. His best friend in school and on the soccer fields is Matt, an English boy spending the summer with his grandfather and his grandfather’s dog, Dog. Morpurgo tells the story through the voices of Matt, his grandfather and Aman. In the beginning, Matt convinces his grandfather to visit Aman, who is being held in Yarl’s Wood, a detention center. His grandfather continues the story, gently persuading Aman to recount what happened in Afghanistan and during the long, treacherous journey to England. The grandfather then organizes a demonstration to protest the deportations, receiving help from sympathetic ministers and an exploding volcano. The titular Shadow is a spaniel, a sniffer dog, trained to alert soldiers to roadside bombs, and she just about steals the story. The dog had bonded with Aman after being separated from her British army unit. Morpurgo has long championed the plight of children and animals in wartime and here ably succeeds in dramatizing the far-reaching repercussions of the decades-old war in Afghanistan.
Humanity triumphs over evil and bureaucracy in this heart-rending and heart-affirming story. (postscript, background information on Yarl’s Wood and sniffer dogs) (Fiction. 9-14)Pub Date: Sept. 4, 2012
ISBN: 978-0-312-60659-6
Page Count: 192
Publisher: Feiwel & Friends
Review Posted Online: June 12, 2012
Kirkus Reviews Issue: July 1, 2012
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by Jane Yolen ‧ RELEASE DATE: March 6, 2018
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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by Shana Burg ‧ RELEASE DATE: June 12, 2012
Ultimately, Burg’s lyrical prose will make readers think about the common ground among peoples, despite inevitable...
Melding the colors of heartache and loss with painterly strokes, Burg creates a vivid work of art about a girl grieving for her recently deceased mother against a Third World backdrop.
Clare is not speaking to her father. She has vowed never to speak to him again. Which could be tough, since the pair just touched down in Malawi. There, Clare finds herself struck by the contrast between American wealth and the relatively bare-bones existence of her new friends. Drowning in mourning and enraged at the emptiness of grief, Clare is a hurricane of early-adolescent emotions. Her anger toward her father crackles like lightning in the treetops. She finds purpose, though, in teaching English to the younger children, which leads her out of grief. Burg’s imagery shimmers. “The girl talks to her mother in a language that sounds like fireworks, full of bursts and pops. She holds her hand over her mouth giggling.... She probably has so many minutes with her mother, she can’t even count them.” Her realization of the setting and appreciation for the Malawian people are so successful that they compensate for Clare's wallowing, which sometimes feels contrived.
Ultimately, Burg’s lyrical prose will make readers think about the common ground among peoples, despite inevitable disparities. (Fiction. 9-12)Pub Date: June 12, 2012
ISBN: 978-0-385-73471-4
Page Count: 256
Publisher: Delacorte
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: April 15, 2012
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