A measured pace as methodical and practical as the murder story’s diplomatic protagonist.
Philadelphia Sheriff Chris DeAngelo returns to solve the killing of a political candidate’s wife, complete with a plethora of suspects and motives, in this thriller.
Checking on a car accident, DeAngelo’s taken aback when realizing the body behind the wheel is Sherry Mills, wife of Republican senator/gubernatorial hopeful Steven Mills. But it gets worse: her death was by gunshot. Mayor Elaine Strick wants to expedite the investigation and get it out of the papers, because her town of Macon is suffering from the notoriety surrounding a recent serial-killer case, which the sheriff wrapped up. She nominates the husband as the initial suspect, but then Strick’s also supporting Mills’ primary opponent, Rupert Kerman. As it turns out, there are quite a few people who had reason to prefer Sherry dead. Whoever had been supplying her with pills, for one, may have wanted her silenced, as would certain individuals with knowledge of her affair with a restaurant owner. DeAngelo and his always-reliable deputy, Rosemary Tippets, sift through the evidence to narrow the suspect list, but the most likely person winds up a murder victim, leading to further questions. The sheriff soon comes across more bodies and finds himself in someone’s cross hairs, in a town where everyone seems to use the same .308-caliber rifle that killed Sherry. Mucci’s (A Season to Kill, 2015) tale is dense with plot, which includes an assortment of felonious deeds, from blackmail and burglary to a mobster’s presence. Pinning down a murderer—if it’s just one—is a challenge, but with DeAngelo at the helm, it’s likewise absorbing. The sheriff, for example, rarely sways; sure, he takes time to flirt with “super-hot bartender” Maryanne, but only because she works at the restaurant owned by one of his suspects. DeAngelo layers his first-person narrative with cynicism, equating a snow-covered property with “an arctic outpost in desperate need of resupply.” But he combines this hard-boiled detective quality with a pragmatic outlook, which truly makes him stand out: he’s a struggling alcoholic who still drinks, just less than usual. The sheriff’s a work in progress, knowing his success requires time and effort, an approach he applies to his investigations.
A measured pace as methodical and practical as the murder story’s diplomatic protagonist.Pub Date: Nov. 23, 2016
ISBN: 978-0-9976718-3-4
Page Count: 324
Publisher: Rook Publishing
Review Posted Online: Jan. 19, 2017
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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