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BETWEEN THESE WALLS

A historically astute but ultimately unsuccessful attempt to braid too many stories into a unified whole.

In Newman’s (Getting Rich Doing What You Love, 2005) historical novel, an art curator receives a letter from Germany that shines a light on the cloudy circumstances of his birth.

In 1988, Daniel Singer, an expert on European Renaissance art at the Metropolitan Museum of Art in New York City, receives a mysterious letter from Germany. It looks like official correspondence, although it’s hard to be certain as it’s written in German—a language that Daniel doesn’t speak. He wonders, however, if the letter contains key information about his past; his parents, Samuel and Agatha, told him long ago that he was adopted; his biological father, they said, was an American soldier that died serving in World War II, and his mother died soon after childbirth. However, although Daniel had seen his adoption certificate, he was never able to locate any documents that verified the details of his birth. From this setup, Newman constructs an impressively imaginative but convoluted tale that revolves around the enigmatic character of Daniel’s genesis. It involves a series of historically divergent tales; for example, the book chronicles the life of Jewish lawyer Arnold Weisz, who’s forced out of his profession when the Nazis take power and compelled to hide his family in Berlin. It also tells the tale of Bruno Schmidt, an ambitious German lawyer who rises to a position of great authority in the SS. Adding to an already overly packed plot, Newman details Samuel’s service as a military surgeon in World War II and the Arab-Israeli War in 1948 as well as Daniel's later service with the Mossad. The historical authenticity of the work is admirable; the author’s research is scrupulously rigorous, and much of the book is enjoyably edifying, as it offers a peek into several tumultuous conflicts in the 20th century. But overall, the story feels muddled and finally implausible, and the author’s prose style is rather wooden; for instance, upon receiving the peculiar letter, Daniel wonders to himself: “What could all this be about? I can’t help but think that there might be something important here.”

A historically astute but ultimately unsuccessful attempt to braid too many stories into a unified whole.

Pub Date: N/A

ISBN: 978-1-5255-4883-3

Page Count: 377

Publisher: FriesenPress

Review Posted Online: Feb. 27, 2020

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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