SWANN'S WAR

During World War II, a female police officer investigates a spate of murders on a tiny island off the coast of Massachusetts.

Oren’s novel opens arrestingly with a local police captain discovering a fisherman’s unexpected catch of a human body. Then, an initial assessment of death by drowning goes distinctly south when it turns out that the man was strangled. Things only get trickier from there since it’s wartime, 1944, and the corpse is that of a prisoner of war: The island, along with its docks, trawlers, and cranberry bogs, includes a prison camp of Italian POWs and a U.S. military emplacement headed by a lieutenant who’d prefer to be on the front lines (his wealthy family ensures that he’s not). To complicate matters further—especially when another murder victim emerges—the police captain is Mary Beth Swann, who took over her husband’s law enforcement role when he shipped out to the South Pacific. Being a female police officer was already challenging enough; Mary Beth, originally from Boston, also has to tolerate the disrespect of the island’s inhabitants. What elevates this intriguing story—comparisons with television’s always engaging Foyle’s War are inevitable—are the wonderfully delineated specifics of the location and characters. This island may be fictional, but it’s drawn directly from the author’s experiences on Nantucket, and each of the characters sparkles with their own vitality, including the town’s brothel madam, the Acadian short-order cook missing two fingers, a visiting gangster, and the nearly 90 Italians waiting out the war in a remote corner of a foreign land.

Sharply drawn characters, a “locked-room” location, and a tension-filled WWII setting illuminate this wartime thriller.