As always in this comically understated series (The Mark of the Pasha, 2008, etc.), both crime and punishment are...
One young woman lost and another found are the keys to the Mamur Zapt’s latest adventure in 1913 Egypt.
A bride box serves as an Egyptian woman’s hope chest. The brightly decorated box normally contains her trousseau, the clothing and articles she’s collected in anticipation of her wedding day. What it doesn’t normally contain is the bride. So it’s distressing to find a bride box addressed to Pasha Ali Maher that doubles as a coffin for the body of Soraya, a basket weaver’s daughter whose aspirations toward a marriage above her station—perhaps with the Pasha’s slow-witted son Karim, perhaps with another member of his household—were cruelly ended by her strangulation. Luckily, Soraya’s sister Leila, whose father, Mustapha, sold her to the Sudanese slaver Abdulla Sardawi, has run away from her new owner and landed in the household of Gareth Cadwallader Owen, the Mamur Zapt who heads the Khedive’s secret police. But there’s not much the little girl can reveal about her sister’s fate, and both the Pasha and his lady suavely maintain that it has nothing to do with them. Mobilizing his usual resources—his old friend parquet prosecutor Mahmoud el Zaki and Georgiades, a Greek investigator with a positive genius for drawing petty bureaucrats into imprudent confidences—Owen connects Soraya’s death to an ominous smuggling ring and a pair of seriously dysfunctional families.
As always in this comically understated series (The Mark of the Pasha, 2008, etc.), both crime and punishment are consistently upstaged by a lovingly detailed portrait of Egypt during the Great War. The result is a bit like a police procedural reimagined by Douglas Adams.Pub Date: Sept. 1, 2013
ISBN: 978-0-7278-8303-2
Page Count: 224
Publisher: Severn House
Review Posted Online: July 20, 2013
Kirkus Reviews Issue: Aug. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be...
Box takes another break from his highly successful Joe Pickett series (Stone Cold, 2014, etc.) for a stand-alone about a police detective, a developmentally delayed boy, and a package everyone in North Dakota wants to grab.
Cassandra Dewell can’t leave Montana’s Lewis and Clark County fast enough for her new job as chief investigator for Jon Kirkbride, sheriff of Bakken County. She leaves behind no memories worth keeping: her husband is dead, her boss has made no bones about disliking her, and she’s looking forward to new responsibilities and the higher salary underwritten by North Dakota’s sudden oil boom. But Bakken County has its own issues. For one thing, it’s cold—a whole lot colder than the coldest weather Cassie’s ever imagined. For another, the job she turns out to have been hired for—leading an investigation her new boss doesn’t feel he can entrust to his own force—makes her queasy. The biggest problem, though, is one she doesn’t know about until it slaps her in the face. A fatal car accident that was anything but accidental has jarred loose a stash of methamphetamines and cash that’s become the center of a battle between the Sons of Freedom, Bakken County’s traditional drug sellers, and MS-13, the Salvadorian upstarts who are muscling in on their territory. It’s a setup that leaves scant room for law enforcement officers or for Kyle Westergaard, the 12-year-old paperboy damaged since birth by fetal alcohol syndrome, who’s walked away from the wreck with a prize all too many people would kill for.
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.Pub Date: July 28, 2015
ISBN: 978-0-312-58321-7
Page Count: 272
Publisher: Minotaur
Review Posted Online: April 21, 2015
Kirkus Reviews Issue: May 15, 2015
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
