A heartfelt parenthood tale that elicits laughter and tears in equal measure.

The Grace of the Ginkgo

A despondent man starts life anew when he unexpectedly becomes the guardian of his infant granddaughter.

David Foley, a former Roman Catholic now comfortable with his atheism, falls into depression after his son, Patrick, is killed in the Gulf War. He moves to Louisville, Kentucky, to be closer to his pregnant daughter-in-law, Kathryn, but she also dies, in childbirth. Overwhelmed with love as he holds his orphaned granddaughter, Liesl, for the first time, David decides to adopt her.  Despite these early tragedies, the novel’s tone lightens as David experiences the pratfalls of raising a child alone. When he picks up Liesl from the hospital but forgets to bring an infant car carrier, he realizes his life will never be the same. Over the next quarter century, David copes with the calamities of being a single parent while also trying to have something of a love life. He has a brief affair with a younger woman, culminating in the realization that she was using him for research for her thesis. His crankiness and humor elevate every situation he gets into. When an aggressive driver of a black station wagon confronts him, David shoots him with a taser. The protagonist then heaves the incapacitated man onto the hood of the station wagon, pulls “his pants down to his ankles,” and departs. David frequently recalls incidents from his childhood in Catholic school, but despite his open atheism (he “saw the lack of light”), he forms strong bonds with Kathryn’s Catholic family. In this moving first adult novel by Hardesty (Honey Bun and Chip, 2012, etc.), music is a constant source of inspiration for David, as is the gingko tree in his backyard, which reminds him to live life on his own terms. Despite occasionally flowery language (“I regaled in the entirety of this spectacle”) and more than a touch of low humor, this warm story highlights the sweet moments of an ordinary life. Near the end of his days, David is thankful for the women who have always been there for him—friends, family, and lovers—as he makes the most difficult decision of all.

A heartfelt parenthood tale that elicits laughter and tears in equal measure.

Pub Date: Jan. 29, 2016

ISBN: 978-1-938462-23-8

Page Count: 288

Publisher: Old Stone Press

Review Posted Online: June 8, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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