Incorporating a vain crow, opportunistic wolves and foxes, talking trees and more, this collection both instructs and charms.
Prolific Brit Rosen and Canadian artist Hacikyan deliver 13 of the legendary fabulist’s moral vignettes.
Familiar fables such as “Mouse and Lion” and “Town Mouse and Country Mouse” accompany lesser-known parables. Rosen’s plainspoken telling engages children with injected humor. In “Frog and Bull,” Frog is impressed with Bull’s huge size. “It’s bigger than a hundred frogs. I’m only as big as its eyeball. Oooh, how I would like to be as big as Bull.” Frog gulps air to puff himself up, addressing an unseen child chorus: “Hey children, how am I doing? Am I as big as Bull?” Not even close, they respond, and Frog continues to gulp with predictably disastrous results. Rosen conveys the morals pithily. In “Lion, Fox and Wolf,” Fox (to put it mildly) outsmarts Wolf, who’s been disparaging him to Lion behind his back. “If you plot and scheme against other people, you’ll probably end up with them plotting against you.” Hacikyan’s accomplished dry-brushed acrylics, luminous against black fields, incorporate handprinted leaves and textile block patterns, bespeaking her acumen as a printmaker. The leafy endpapers are stunning.
Incorporating a vain crow, opportunistic wolves and foxes, talking trees and more, this collection both instructs and charms. (scholar’s note) (Fables. 5-10)Pub Date: Oct. 1, 2013
ISBN: 978-1-896580-81-4
Page Count: 32
Publisher: Tradewind Books
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Tell it to the bees. The ancient art of beekeeping is alive and well in Brooklyn, N.Y. Fred is dedicated to his bees and greets them each morning on his rooftop. He has named the queens Mab, Boadicea and Nefertiti, after legendary historic figures; the bees are his “sweeties” and his “darlings.” He hums with them as they swarm and flies with them in his imagination as they search for the most fragrant flowers. When the time is right, he carefully gathers their honey, jars it, shares it with his neighbors and, of course, savors some of that luscious honey himself. Nargi’s descriptive language is filled with smell and sound and sight, carrying readers right up to that rooftop with Fred, while seamlessly interweaving detailed information about beekeeping. An afterword of “amazing facts” explains more about apiarists, bees’ life cycles and more, all in light, easy-to-understand syntax. Brooker’s oil-and-collage illustrations, appropriately rendered in greens and browns, golds and ambers, enhance the text beautifully. They accurately depict Fred’s and the bees’ actions while creating a stylized, fanciful view of a homey Brooklyn neighborhood, complete with a view of the Brooklyn Bridge. Even the endpapers are integral to the work, presenting labeled diagrams of bees and beekeeping materials. Eccentric and unusual with an appealing, gentle charm. (Picture book. 5-10)
Pub Date: March 8, 2011
ISBN: 978-0-375-84980-0
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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