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THE WEIGHT OF LIVING

From the A Frank Nagler Mystery series

An involving thriller with a memorable protagonist.

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The third volume in Daigle’s (A Game Called Dead, 2016, etc.) mystery series tells the continuing story of a detective as he and his New Jersey manufacturing town recover from setbacks.

Frank Nagler is a dogged investigator with the Ironton, New Jersey, police department who’s seen his town decline over the years due to plant closures, crooked politicians, and a devastating flood. He shut down emotionally after his young wife Martha’s death, finding solace in his work. Lately, a burgeoning relationship with Lauren Fox, a city planner, has been bringing him back to life. Ironton is also enjoying a renaissance with a progressive mayor and small cluster of new stores downtown, including a bookstore owned by Frank’s friend Leonard. But a pall falls over Ironton when a traumatized young girl, wearing just a tank top and shorts, is found in a dumpster on a cold night. At the same time, a mystery group is illegally obtaining local properties. Investigating both cases leads Frank to unearth an evil family’s history. The cases eventually threaten the safety of people important to him, including Lauren; his ancient mentor, Sister Marie Katherine; Leonard; and Leonard’s girlfriend, Calista Knox. As Frank’s friend Del Williams explains, “You see how deep the poison goes, how strong is the wrong in what they doin’ and your soul cries out for justice and you just wanna bring ’em down.” Before the action is done, neither Frank nor Ironton will be the same. Daigle has done an admirable job of portraying the evolutions of Frank and the hometown that he loves and protects. The detective realizes that Ironton has flaws, some self-inflicted, but he’s not ready to give up on it or its people. Many of those people are shown to have his back, as well, including Lauren at home and his colleague Lt. Maria Ramirez at work. This helps him to unravel a complicated, sometimes-repulsive mystery that spans decades and several states. Daigle’s narrative is well-paced, allowing the reader to piece together the clues right along with Frank, and it all leads to a melancholy but satisfying conclusion.

An involving thriller with a memorable protagonist.

Pub Date: April 15, 2017

ISBN: 978-1-944653-04-0

Page Count: 302

Publisher: Imzadi Publishing

Review Posted Online: Jan. 16, 2018

Kirkus Reviews Issue: March 15, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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