An exemplary, inviting exploration and an inspiration for cooks and genealogists alike.
Food historian Twitty, creator of the Afroculinaria blog, serves up a splendid hearth-based history, at once personal and universal, of the African-American experience.
The author accounts himself a citizen of the Old South, “a place where people use food to tell themselves who they are.” It is also, he continues, a fraught place where food controversies—whether to put sugar and not molasses in cornbread, say—pile atop controversies of history, all pointing to the terrible fact of slavery. Twitty’s book is not just about food, though it certainly covers the broad expanse of African-American cooking over the centuries and how it shaped the larger Southern American culinary tradition. The author delights in the “world of edible antiques” that his researches take him into, a world requiring him to think in terms of gills, drams, and pecks. Twitty also traces his own family history, beyond the eight or so generations that carry documents, to places all over the world: a white ancestor here, an Indonesian by way of Madagascar forebear there, Native Americans and West Africans and Anglos meeting in bloodstreams and at table. On all these matters, the author writes with elegant urgency, moving swiftly from topic to topic: on one page, he may write of the tobacco economy of the Confederacy, on another of the ways in which “the food of the Chesapeake grew legs as the culture of the Upper South was forced to branch out” beyond the Appalachians and Mississippi into new territories, such that “turkey with oyster dressing on a Maryland plantation became turkey with freshwater clam and mussel sauce on a slaveholding Missouri farmstead.” Drawing on a wealth of documentary digging, personal interviews, and plenty of time in the kitchen, Twitty ably joins past and present, puzzling out culinary mysteries along the way—e.g., “chickens got served to preachers because chickens had always flounced in the hands of African priests, and nobody remembered why.”
An exemplary, inviting exploration and an inspiration for cooks and genealogists alike.Pub Date: Aug. 1, 2017
ISBN: 978-0-06-237929-0
Page Count: 464
Publisher: Amistad/HarperCollins
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
PROFILES
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK REVIEW
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