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A Taste for Happiness

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A ruminative memoir of an eclectic life lived happily.
As its title suggests, the recurrent theme of David-Weill’s debut is happiness, which he describes as a mysterious dispensation—more a “gift” than a skill or act of will. He dwells on his eccentric life in a panoramic gathering of remembrances. He was born in France in 1932 and spent part of his childhood burdened by the fear and destruction of World War II. The conflict forced him and his family out of France and eventually led to the death of his beloved brother. The author later became a very successful investment banker and a devoted art collector, splitting his time between Paris and New York City. His love of art permeates the book, and he writes rhapsodically about the enchanting power it has over him; he often digresses at some length on the virtues of Titian, Caravaggio, and Diego Velázquez, among other artistic giants. In general, he presents his account of his life somewhat haphazardly, briskly leaping from reportage to philosophical meditation. He expounds upon a broad range of topics: his love of women, the French understanding of money, his cultural Jewishness and the state of Israel, his once ardent Catholic faith and his loss of it, and his professional life, to name only a small, representative sampling. Surprisingly, although he discusses his boyhood family in considerable detail, he’s less forthcoming about his family as an adult—an unusual omission for a personal memoir driven by the theme of happiness. Also, the memoir tends toward hyperbolic pronouncements (“No one in the world probably has better homes than I do”). That said, it’s often charmingly written and filled with meditative gems: “As far as sex is concerned, it is undoubtedly the greatest, most passionate pleasure in life, partly because you can never really entirely understand the other person.” Although this is a deeply personal account of a confessedly idiosyncratic life, David-Weill’s cultural commentary will make this book a delight for readers who aren’t all that interested in the biographical details.
A thoughtful recollection for philosophically minded readers.

Pub Date: April 23, 2015

ISBN: 978-1-5005-6516-9

Page Count: 238

Publisher: CreateSpace

Review Posted Online: Oct. 29, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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