An appealing, exhilarating, and informative vicarious journey of discovery.
Readers join an Alvin pilot and scientists in an exciting journey as they voyage down deep to the ocean floor to collect samples and conduct research.
Named for Allyn Vine, who helped pioneer deep submergence research and technology for the Woods Hole Oceanographic Institute, Alvin helped in the exploration of the Titanic wreckage in 1986. “Imagine you’re the pilot of Alvin, a deep-sea submersible barely big enough for three,” the engaging text begins. Cusolito’s inviting, “you are there” narration puts readers inside the submersible to discover what one wears, eats, and talks about during a typical eight-hour journey to learn about life inhabiting the deepest realms of our oceans. How do you breathe? What kind of music might you listen to? How do you see when you “enter thick blackness”? The answers to those and many other questions are answered. The voyage down is not without perils: “Fishing nets or anchor chains could entangle Alvin and trap you.” On the seafloor, “Eerie spires loom. Black smokers blast scalding water and poisonous, sooty particles from deep inside Earth.” The digitally created illustrations evoke the dark mysteriousness of the deep ocean and depict the crew as a man of color, a white woman, and a white man. Endmatter explains how Alvin works and describes the author’s and illustrator’s research.
An appealing, exhilarating, and informative vicarious journey of discovery. (glossary, further reading) (Informational picture book. 5-9)Pub Date: May 22, 2018
ISBN: 978-1-58089-811-9
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Well-intentioned but likely to overwhelm the intended readers and listeners.
The cadences of a familiar nursery rhyme introduce concerns about ocean garbage and what we, who made the mess, can do to help clean it up.
With the rhyme and meter of “The House That Jack Built,” Lord builds the problem of plastic waste in the oceans from the fish that must swim through it to a netted seal, a trapped turtle, and overflowing landfills before turning to remedies: cleaning beaches and bays, reducing waste, and protesting the use of fishing nets. Two pages of backmatter describe problems in more detail, while a third elaborates potential solutions; suggestions for individual action are provided as well. Blattman’s images begin with a racially diverse group of youngsters in a small boat in the center of a plastic trash gyre. The children, shown at different angles, bob spread by spread over trash-filled waters. To accompany the words, “Look at the mess that we made,” she adds a polluted city skyline and a container ship belching smoke to the scene. Finally, the dismayed young boaters reach a beach where a clean-up is in process. From their little skiff they help scoop up trash, rescue the turtle, and wave protest signs. The message is important, even vital in today’s world, but many caregivers and many environmentalists would eschew this doomful approach as a means of introducing environmental concerns to the early-elementary audience who might be drawn in by the nursery rhyme.
Well-intentioned but likely to overwhelm the intended readers and listeners. (map) (Informational picture book. 5-9)Pub Date: Jan. 1, 2020
ISBN: 978-1-947277-14-4
Page Count: 32
Publisher: Flashlight Press
Review Posted Online: Oct. 26, 2019
Kirkus Reviews Issue: Nov. 15, 2019
An amiable point-counterpoint for budding animal lovers/haters.
Forty-two creatures of ill repute, from scorpions to hyenas, put on their best faces and protest that they’re just misunderstood.
In paired double-page spreads, Corrigan first presents for each animal the case for considering it scary or gross, then, with the page turn, allows it to contradict itself. “I’m creepy and I’m crawly,” a spider supposedly gloats. “I spin webs from my butt and leave them in places where I KNOW you’ll get stuck in them.” In the following spread, the spider points out that “Only half of my kind spin webs, and we really, REALLY don’t want you to get stuck in them!” Along with pointing to roles in the natural order and including many crowd-pleasing references to butts and poop, these counterarguments tend to run along the lines of the rat’s “I’m a fluffy little SWEETIE!” and the toad’s “I am a plump lump of CUTENESS!” Each testimonial is backed up by a box of background information baldly labeled “FACTS.” Readers may find the chorus of smiley faces and claims of adorability unconvincing, but they will at least come away with more nuanced impressions of each creepy-crawly. The humorous cartoon illustrations don’t measure up to the in-your-face photos of Seymour Simon’s classic Animals Nobody Loves (2001), but this gallery of beasties unfairly regarded as “icky and ewwy and downright gross” is considerably broader.
An amiable point-counterpoint for budding animal lovers/haters. (glossary) (Nonfiction. 6-9)Pub Date: April 7, 2020
ISBN: 978-0-7112-4748-2
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
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