Warmth and comfort abound.
Everyone is thrilled that there’s going to be a new baby, but where will the child sleep?
Mom’s sewing room would be perfect, but it is full to the brim with worn-out clothes, leftover yarn and boxes of odds and ends donated by neighbors who know Mom is a master at recycling and repurposing. As months pass, filled with weekly Sabbath celebrations and Jewish holiday traditions, Mom and all the neighbors are busy, happily sewing, knitting and crafting, making diapers, baby clothes and mittens for anyone who expresses a need. The whole family gets into the act; Dad makes a crib from a steamer trunk, and the young narrator organizes a giveaway of free stuff. The sewing room is gradually transformed into a beautiful room for the baby, who receives a joyous welcome. Edwards moves the events through the year, introducing a warm, loving, traditional Jewish family and a close-knit multicultural city community. Information about Jewish holidays, especially the food, is neatly and deliciously incorporated. Underlying themes focus on the processes and satisfaction of creative arts and crafts as well as the green concept of reusing found items for new purposes. Christy’s bright illustrations, as well as the endpapers, are filled with amusing details, patterns and textures, along with a sense of movement and busy endeavor.
Warmth and comfort abound. (Picture book. 3-8)Pub Date: Sept. 25, 2012
ISBN: 978-0-375-87090-3
Page Count: 32
Publisher: Random House
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
A syrupy tribute to mothers that may please fans of the series.
Another creature is on the loose.
The long-running series continues its successful formula with this Hallmark card of a book, which features bright illustrations and catchy rhymes. This time, the mythical creature the racially diverse children set out to catch is an absent mom who does it all (lists of descriptors include the words banker, caregiver, nurse, doctor, driver, chef, housekeeper, teacher, entertainer, playmate, laundry service, problem solver, handywoman, cleaner, and alarm clock) but doesn’t seem to have a job outside the home and is inexplicably a dinosaur. As the children prepare gifts and a meal for her, the text becomes an ode to the skills the Mamasaurus possesses (“Day or night she’s always there. / She meets every wish and need”) and values she instills (“Sometimes life can mean hard work,” “kindness matters,” and “what counts is doing your best”). This well-intentioned selection veers into cliche generously sprinkled with saccharine but manages to redeem itself with its appreciation for mothers and all that they may do. Endpapers include a “to” and “from” page framed in a heart, as well as a page where young gift givers or recipients can draw a picture of their Mamasaurus.
A syrupy tribute to mothers that may please fans of the series. (Picture book. 3-6)Pub Date: March 5, 2024
ISBN: 9781728274300
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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