by Michelle Lovric ‧ RELEASE DATE: Nov. 22, 2005
Despite the merciless plot twists, Lovric’s real fascination is with the cities she describes in loving if endless detail.
Lovric’s second historical novel (The Floating Book, 2004) travels between London and Venice to follow a Venetian actress’s unconventional romance with a British entrepreneur/criminal in the late 1700s.
The nuns at the convent where her patrician parents have placed her turn a blind eye when 15-year-old Catarina Venier carries on an affair with an Englishman outside the convent gates, but then she gets pregnant, her lover abandons her and the baby dies in childbirth. After hot-tempered Catarina attacks a nun, she is declared legally dead. Actually, she is forced to spy for the Inquisitors of Venice while assuming a new identity as the actress Mimosina Dolcezza. While performing in London, Mimosina begins a love affair with a theater patron, Valentine Greatrakes. She believes that through marriage to an Englishman of substance like Greatrakes, she can escape her Venetian enslavement to the Inquisitors. She thinks she has only one obstacle: Greatrakes’s devotion to Pevenche, the bratty daughter of his recently murdered best friend Tom. Actually, Greatrakes is a violent charlatan and member of the London underworld who woos Mimosina under the mistaken assumption that she lacks guile. Each lover’s secret and the tricks each performs to ensnare the other often work against the affair. The Inquisitors order Mimosina back to Venice. Unaware that Valentine has followed, she escapes in a gondola and returns to London where, working for a con artist, she learns Valentine’s real station in life.
Despite the merciless plot twists, Lovric’s real fascination is with the cities she describes in loving if endless detail.Pub Date: Nov. 22, 2005
ISBN: 0-06-083703-9
Page Count: 448
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2005
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BOOK REVIEW
by James Clavell ‧ RELEASE DATE: June 23, 1975
In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.
Pub Date: June 23, 1975
ISBN: 0385343248
Page Count: 998
Publisher: Atheneum
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: June 1, 1975
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BOOK TO SCREEN
by Esi Edugyan ‧ RELEASE DATE: Sept. 19, 2018
A thoughtful, boldly imagined ripsnorter that broadens inventive possibilities for the antebellum novel.
High adventure fraught with cliffhanger twists marks this runaway-slave narrative, which leaps, sails, and soars from Caribbean cane fields to the fringes of the frozen Arctic and across a whole ocean.
It's 1830 on the island of Barbados, and a 12-year-old slave named George Washington Black wakes up every hot morning to cruelties administered to him and other black men, women, and children toiling on a sugar plantation owned by the coldblooded Erasmus Wilde. Christopher, one of Erasmus’ brothers, is a flamboyant oddball with insatiable curiosity toward scientific matters and enlightened views on social progress. Upon first encountering young Wash, Christopher, also known as Titch, insists on acquiring him from his brother as his personal valet and research assistant. Neither Erasmus nor Wash is pleased by this transaction, and one of the Wildes' cousins, the dour, mysterious Philip, is baffled by it. But then Philip kills himself in Wash’s presence, and Christopher, knowing the boy will be unjustly blamed and executed for the death, activates his hot air balloon, the Cloud-cutter, to carry both himself and Wash northward into a turbulent storm. So begins one of the most unconventional escapes from slavery ever chronicled as Wash and Titch lose their balloon but are carried the rest of the way to America by a ship co-captained by German-born twins of wildly differing temperaments. Once in Norfolk, Virginia, they meet with a sexton with a scientific interest in dead tissue and a moral interest in ferrying other runaway slaves through the Underground Railroad. Rather than join them on their journey, Wash continues to travel with Titch for a reunion with the Wildes' father, an Arctic explorer, north of Canada. Their odyssey takes even more unexpected turns, and soon Wash finds himself alone and adrift in the unfamiliar world as “a disfigured black boy with a scientific turn of mind…running, always running from the dimmest of shadows.” Canadian novelist Edugyan (Half-Blood Blues, 2012, etc.) displays as much ingenuity and resourcefulness as her main characters in spinning this yarn, and the reader’s expectations are upended almost as often as her hero’s.
A thoughtful, boldly imagined ripsnorter that broadens inventive possibilities for the antebellum novel.Pub Date: Sept. 19, 2018
ISBN: 978-0-525-52142-6
Page Count: 336
Publisher: Knopf
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
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by Esi Edugyan
BOOK REVIEW
by Esi Edugyan
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BOOK TO SCREEN
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