Very fine indeed.
A sparkling picture-book biography of the dauntless organizer of the titular strike.
Immigrant Clara Lemlich was tiny and spoke little English, but she not only worked to support her family in a factory that made women’s clothing, but read and studied at night. When the male workers talked about a strike to protest their fearsome working conditions, they thought the girls weren’t strong enough to join them. But it was Clara who finally—in Yiddish—called for a general strike. She was arrested 17 times and beaten, but the strike won the right to unionize for workers in many factories (but not the Triangle Waist Factory, whose gruesome fire claimed 146 lives in 1911). Markel’s text is well-supported by Sweet’s watercolor, gouache and mixed-media images, some clearly based on archival photographs. What catches the heart are the bits of stitching on cloth ribbons that outline or accent some of the pages and the sweet, determined faces of these girls. They were girls indeed, some as young as 12, most in their teens and early 20s. A bibliography of primary and secondary sources and a note about the garment industry fills in some more background, including Clara’s further work in the labor movement, and the fact that 70 percent of the workers were between 16 and 25 and that most were Eastern European Jews and Italians.
Very fine indeed. (Picture book/biography. 5-9)Pub Date: Feb. 1, 2013
ISBN: 978-0-06-180442-7
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...
An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.Pub Date: March 13, 2012
ISBN: 978-0-7636-5692-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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BOOK REVIEW
BOOK REVIEW
Fans both young and formerly young will be pleased—100 percent.
Published in magazines, never seen since / Now resurrected for pleasure intense / Versified episodes numbering four / Featuring Marco, and Horton and more!
All of the entries in this follow-up to The Bippolo Seed and Other Lost Stories (2011) involve a certain amount of sharp dealing. Horton carries a Kwuggerbug through crocodile-infested waters and up a steep mountain because “a deal is a deal”—and then is cheated out of his promised share of delicious Beezlenuts. Officer Pat heads off escalating, imagined disasters on Mulberry Street by clubbing a pesky gnat. Marco (originally met on that same Mulberry Street) concocts a baroque excuse for being late to school. In the closer, a smooth-talking Grinch (not the green sort) sells a gullible Hoobub a piece of string. In a lively introduction, uber-fan Charles D. Cohen (The Seuss, The Whole Seuss, and Nothing but the Seuss, 2002) provides publishing histories, places characters and settings in Seussian context, and offers insights into, for instance, the origin of “Grinch.” Along with predictably engaging wordplay—“He climbed. He grew dizzy. His ankles grew numb. / But he climbed and he climbed and he clum and he clum”—each tale features bright, crisply reproduced renditions of its original illustrations. Except for “The Hoobub and the Grinch,” which has been jammed into a single spread, the verses and pictures are laid out in spacious, visually appealing ways.
Fans both young and formerly young will be pleased—100 percent. (Picture book. 6-9)Pub Date: Sept. 9, 2014
ISBN: 978-0-385-38298-4
Page Count: 56
Publisher: Random House
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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