by Michelle Mulder ‧ RELEASE DATE: April 1, 2015
Enclosed in these pages is plenty of food for thought and examples for direct action
To dumpster dive, to glean, perchance to dream of a zero-waste world.
Mulder tells the garbage story in clean and engrossing prose, complemented by stock artwork and photographs. Humans have always made trash—eat that wooly mammoth leg, and you are left with a wooly mammoth bone—though trash production took off exponentially with the establishment of settled communities. What is trash, asks Mulder? Trash is something that no longer is useful. But use is in the eye of the beholder. An empty yogurt container could be chucked out the car window, or it could serve as a pencil holder. Old jeans can be used for housing insulation, as can tires or books or, weirdly, toothbrushes. Mulder provides all sorts of alternatives to incineration, landfills and ocean dumping. She explorers the cons of recycling—it can produce as much methane as cows; it consumes a lot of energy; it results in an often weakened product—as well as many pros, and she throws in plenty of mind-twisting sidebars: Yes, those styrene containers keeping your fast-food burger warm may well be serving you a dose of brain damage. Ultimately Mulder suggests we not make it in the first place.
Enclosed in these pages is plenty of food for thought and examples for direct action . (Nonfiction. 8-12)Pub Date: April 1, 2015
ISBN: 978-1-4598-0692-4
Page Count: 48
Publisher: Orca
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by Jason Chin ; illustrated by Jason Chin ‧ RELEASE DATE: Sept. 1, 2020
A stimulating outing to the furthest reaches of our knowledge, certain to inspire deep thoughts.
From a Caldecott and Sibert honoree, an invitation to take a mind-expanding journey from the surface of our planet to the furthest reaches of the observable cosmos.
Though Chin’s assumption that we are even capable of understanding the scope of the universe is quixotic at best, he does effectively lead viewers on a journey that captures a sense of its scale. Following the model of Kees Boeke’s classic Cosmic View: The Universe in Forty Jumps (1957), he starts with four 8-year-old sky watchers of average height (and different racial presentations). They peer into a telescope and then are comically startled by the sudden arrival of an ostrich that is twice as tall…and then a giraffe that is over twice as tall as that…and going onward and upward, with ellipses at each page turn connecting the stages, past our atmosphere and solar system to the cosmic web of galactic superclusters. As he goes, precisely drawn earthly figures and features in the expansive illustrations give way to ever smaller celestial bodies and finally to glimmering swirls of distant lights against gulfs of deep black before ultimately returning to his starting place. A closing recap adds smaller images and additional details. Accompanying the spare narrative, valuable side notes supply specific lengths or distances and define their units of measure, accurately explain astronomical phenomena, and close with the provocative observation that “the observable universe is centered on us, but we are not in the center of the entire universe.”
A stimulating outing to the furthest reaches of our knowledge, certain to inspire deep thoughts. (afterword, websites, further reading) (Informational picture book. 8-10)Pub Date: Sept. 1, 2020
ISBN: 978-0-8234-4623-0
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: May 1, 2020
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PERSPECTIVES
PERSPECTIVES
by Jonah Winter ; illustrated by Jeanette Winter ‧ RELEASE DATE: March 31, 2020
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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