Lonesome, tenderhearted cowboy? Check. Grieving and fiercely independent young woman who’s sworn never again to open herself up to love? Check. An undeniable chemistry “like the charge in the air just before lightning cracks the sky?” Double check.
Rose Darrow, a newly minted high school graduate, is neither college bound nor setting off to explore the world she longs to see. Instead, she will remain at home to run the farm where her family has lived for generations while grieving the loss of her mother and tending to her broken-hearted father. Enter 18-year-old Bodhi Lowell, a cowboy who left home at 14 and never turned back. Hired by Rose’s aunt as a summer hand, Bodhi arrives at the Darrow farm, and the inevitable sparks begin to fly. Though it's predictable and rife with hyperbolic professions of love and longing, readers who know the score and are willing to go along for the ride will find plenty to enjoy. The white teens are both likable and damaged just enough to engage easy sympathy, and fans will surely find themselves rooting for Bodhi and Rose to get together and for their predestined (both figurative and literal) roll in the hay.
Channeling the likes of Nicholas Sparks, Zink offers readers a formulaic, saccharine-sweet summer romance that will leave fans of the genre with racing hearts and others with their teeth aching. (Romance. 13 & up)Pub Date: May 3, 2016
ISBN: 978-0-06-243446-3
Page Count: 336
Publisher: Harper/HarperCollins
Review Posted Online: March 2, 2016
Kirkus Reviews Issue: March 15, 2016
Categories: TEENS & YOUNG ADULT ROMANCE | TEENS & YOUNG ADULT SOCIAL THEMES
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Engrossing, contemplative, and as heart-wrenching as the title promises.
36
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What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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Riveting, brutal and beautifully told.
25
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 17, 2014
Kirkus Reviews Issue: April 1, 2014
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
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