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NOTHING

In this delightful tale from Inkpen (Wibbly Pig Makes Pictures, 1995, etc.), the circle goes unbroken when a ratty and abandoned stuffed toy recalls its own true self. It is moving day. Up in the attic, a toy that had been lost is found and lost again: ``What have we got here?'' asks one of the movers. ``Oh, it's nothing,'' replies the other. ``So that's my name,'' thinks the faded and tattered little thing. ``Nothing.'' Cautioned by a mouse that the ``New People'' will probably throw him away, Nothing embarks on a reluctant journey of self-discovery. Seeing the tail on the mouse reminds him that he may have had one. The whiskers on a fox are familiar, as are the stripes on a frog in the garden lily pond. A cat takes Nothing home, where he encounters Grandpa, who holds the key to the mystery. The handsome illustrations, composed for maximum emotional impact, combine with a clever book design—the first page of the story appears before the title page, and Nothing's transformation back to a feline state takes place in a gatefold. Readers searching for deep meanings will find plenty to ponder, especially in the perfect balance between the profoundness of Nothing's mission and the humor of the text. (Picture book. 3-6)

Pub Date: March 1, 1998

ISBN: 0-531-30076-5

Page Count: 32

Publisher: Orchard

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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TSUNAMI!

Through quick thinking and personal sacrifice, a wise old Japanese farmer saves the people of his village from a devastating tsunami in this simple yet striking story based on Lafcadio Hearn’s “A Living God.” Ojiisan lives in a cottage on a mountain overlooking the village and sea. One day, villagers gather to celebrate the rice harvest, but Ojiisan stays home thinking “something does not feel right.” When the earth quakes and the sea darkens and runs away from the land, Ojiisan realizes a tsunami approaches. Fearing the oblivious villagers will be swept away, Ojiisan torches his rice fields to attract attention, and they respond, barely escaping the monster wave. Rendered in gouache, pastel and collage, Young’s illustrations cleverly combine natural textures, bold colors and abstract shapes to convey compelling images of chaos and disaster as the rice fields burn and the wave rushes in. In one literally breathtaking double-page spread, an enormous wall of water engulfs the teeny seacoast village. A visually powerful and dramatic tribute to one man’s willingness to sacrifice everything for others. (Picture book. 3-5)

Pub Date: Jan. 1, 2009

ISBN: 978-0-399-25006-4

Page Count: 32

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2008

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THE GRUFFALO

The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)

Pub Date: June 1, 1999

ISBN: 0-8037-2386-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1999

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