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RESCUE SQUAD NO. 9

From the No. 9 series

“Hooray! Hooray!” (Picture book. 2-5)

Following Fire Engine No. 9 (2015), Austin looks at maritime emergency vehicles.

In Austin’ s second No. 9 book, the youngest readers find a gripping, exciting ocean rescue conducted by a mixed-race, mixed-gender team using intriguing vehicles and tools: helicopter and boat, with assists from the lighthouse and trucks on the dock. The crew seems to be going through its ordinary duties when the weather changes and a distress call comes in. The text is minimal: words repeat and appear in typeface that increases in size to convey urgency: “MAYDAY! MAYDAY! MAYDAY! // GO! GO! GO!” Bold, graphically splashy artwork captures the stormy, swelling sea and the rescue in motion. A sailboat has crashed against rocks with a sailor and dog onboard. Dramatic tension is heightened when horizontal scenes switch to vertical when the helicopter drops the Billy Pugh basket to pick up the stranded boaters. Never heard that term before? Don’t worry: endpapers feature the pieces of equipment and their names. All’s well that ends well. The squad gets the duo safely to shore as the sun comes out. An endnote includes tips for caregivers on water safety, and readers already savvy about the subject will be pleased to see that both the sailor and the dog are wearing life jackets.

“Hooray! Hooray!” (Picture book. 2-5)

Pub Date: Sept. 27, 2016

ISBN: 978-1-101-93662-7

Page Count: 40

Publisher: Random House

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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ONE MORE DINO ON THE FLOOR

It’s a bit hard to dance, or count, to this beat.

Dinos that love to move and groove get children counting from one to 10—and perhaps moving to the beat.

Beginning with a solo bop by a female dino (she has eyelashes, doncha know), the dinosaur dance party begins. Each turn of the page adds another dino and a change in the dance genre: waltz, country line dancing, disco, limbo, square dancing, hip-hop, and swing. As the party would be incomplete without the moonwalk, the T. Rex does the honors…and once they are beyond their initial panic at his appearance, the onlookers cheer wildly. The repeated refrain on each spread allows for audience participation, though it doesn’t easily trip off the tongue: “They hear a swish. / What’s this? / One more? / One more dino on the floor.” Some of the prehistoric beasts are easily identifiable—pterodactyl, ankylosaurus, triceratops—but others will be known only to the dino-obsessed; none are identified, other than T-Rex. Packed spreads filled with psychedelically colored dinos sporting blocks of color, stripes, or polka dots (and infectious looks of joy) make identification even more difficult, to say nothing of counting them. Indeed, this fails as a counting primer: there are extra animals (and sometimes a grumpy T-Rex) in the backgrounds, and the next dino to join the party pokes its head into the frame on the page before. Besides all that, most kids won’t get the dance references.

It’s a bit hard to dance, or count, to this beat. (Picture book. 3-5)

Pub Date: March 1, 2016

ISBN: 978-0-8075-1598-3

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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TEN ON A TWIG

Who knew that turning the pages could be the best part of a book?

Counting down one by one, 10 birds fall off a branch.

The concept of this picture book is simple enough: 10 birds topple, slip, and dive their way off the titular twig until there is one left. The text itself echoes familiar singsong-y children’s rhymes like “Five Little Pumpkins.” While it mostly succeeds, there are some awkward spots: “5 on a twig, there used to be more… / SNAP! Don’t say a word, now there are four.” (On each page the number is both spelled out and represented as a numeral). The real scene stealer, however, is the book’s interplay between Cole’s illustrations and the physical pages themselves. In much the same way Eric Carle utilizes the pages in The Very Hungry Caterpillar to show the little critter eating its way through the week, Cole uses pages of increasing width to show how the twig grows shorter as each bird falls and marches off purposefully with the others, all headed toward verso with pieces of twig in their beaks. Stylistically, the book is captivating. The very colorful, egg-shaped birds appear on a single, thin black line on a stark white background. This backdrop stands in powerful contrast to the book’s final two pages, which are set against black negative space, a theme echoed in the book’s feather-print endpapers. The heavy, thick pages make it easy for little hands to participate. The text takes a back seat to the playful and compelling design, which is sure to delight readers.

Who knew that turning the pages could be the best part of a book? (Picture book. 2-4)

Pub Date: Sept. 1, 2020

ISBN: 978-1-72821-593-8

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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