A complex, entertaining whodunit.
In the latest thriller from Bond (The Last Savanna, 2013, etc.), an Afghanistan War veteran–turned-surfer risks his life and freedom to search for a journalist’s murderer.
When Pono Hawkins finds surfing-magazine correspondent Sylvia Gordon’s lifeless body floating off the shore of Oahu, police quickly determine that she was murdered, but then promptly change their minds and rule it an accidental drowning. Pono makes it his mission to find the woman’s killer, and his quest takes him into a world of political and corporate corruption. As he weeds through lies, suspects and threats, the police eventually agree that the journalist was indeed murdered—and they accuse the twice-jailed Pono, who soon finds himself on the run. More murders follow. Bond’s lusciously convoluted story provides myriad suspects and motives. At one point, near the beginning of the story, Pono lists Sylvia Gordon’s probable killers and has trouble eliminating any one of them. On multiple occasions, Pono believes someone is a murderer, changes his mind and then reverts back after uncovering new information. As a result, he distrusts nearly everyone, and readers likely will, too. Bond skillfully adds new elements to the mystery, including several energy corporations and no less than three femmes fatales: Angie, Sylvia’s Maui friend; Kim, a cop responsible for one of Pono’s trips to prison; and Charity, a receptionist for a company called WindPower. Other characters are more dependable, such as Pono’s fellow veterans—most notably, the technologically savvy Mitchell—as well as Pono’s cat, Puma, and surfing dachshund, Mojo. But his most persuasive relationship is with Sylvia, a woman he can’t stop thinking about, even though he never knew her when she was alive. In the end, readers may find it nearly impossible to guess the killer, but they’ll enjoy the trip.
A complex, entertaining whodunit.Pub Date: Nov. 20, 2012
ISBN: 978-1627040013
Page Count: 302
Publisher: Mandevilla Press
Review Posted Online: April 26, 2013
Review Program: Kirkus Indie
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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