by Mike Bond ‧ RELEASE DATE: Aug. 15, 2013
Will make readers sweat with its relentless pace and blistering descriptions of the African sun.
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A special unit of soldiers in East Africa tracks down elephant poachers and searches for a female archaeologist who’s been kidnapped in Bond’s latest adventure (Saving Paradise, 2013, etc.).
Ian MacAdam, formerly of the British Special Forces, is living an unhappy married life on an African ranch. He agrees to join a team to combat poachers targeting Kenya’s elephants, which are dangerously low in numbers. But when a trio of Somali men assault a camp of archaeologists, it becomes personal for MacAdam. One of the people taken hostage is Rebecca Hecht, MacAdam’s former girlfriend. He braves the vast, unforgiving desert to rescue the woman he still loves. The novel is sheer intensity, depicting the immense, arid land and never-ending scenes of people trekking across it. The villains are clear from the beginning: a Samburu warrior survives the harsh desert and its resident animals only to be gunned down by a Somali poacher, simply for the warrior’s lion pelt. Despite this, the three men holding Rebecca captive—Ibrahim, Rashid and Warwar—are so strongly developed that the youngest, Warwar, is almost sympathetic (to both readers and Rebecca); though he wants to sell or ransom the woman, the other two see no value in her and would rather kill her. The fierce African heat radiates from the pages; mosquitoes zoom around characters, and the air burns MacAdam’s throat, while his perspiration blinds him. But it’s the volatile nature of nature itself that gives the story its greatest distinction; Kenya is inhabited by creatures both beautiful and menacing. That MacAdam is out to save the elephants doesn’t stop a buffalo from charging him; when Rebecca tries to escape her captors, she realizes that a trailing leopard could be a much more unpleasant enemy. Readers should brace themselves for the book’s unabated savagery, mostly, if not all, from its human characters: A scene of poachers attacking and killing elephants is not easy to forget. But it does allow for a bit of zealous glee when MacAdam convinces himself to help track down poachers “to hunt the only animal worth hunting.”
Will make readers sweat with its relentless pace and blistering descriptions of the African sun.Pub Date: Aug. 15, 2013
ISBN: 978-1627040082
Page Count: 320
Publisher: Mandevilla Press
Review Posted Online: June 5, 2014
Review Program: Kirkus Indie
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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