Dull and uninspiring—could definitely use some of Freddie Mercury’s camp to liven things up.
Graphic memoir by a British lad who grew up obsessed by Queen and never grew out of it.
Eleven-year-old Dawson washed up on American shores in 1986, when he was interested in little beside battling with his sister over who was more all-important musically: Queen (his vote) or George Michael/Wham! (her weak competition). The cartoonist, creator of the comic-book series Gabagool!, strings together various life memories from an insecure childhood to an only mildly less insecure young adulthood, tracking along the way his obsession with Queen. High points included Dawson performing Queen songs at a talent show; the low point was probably being mocked by schoolmates after Freddie Mercury’s death in 1991. Credit should go to the author for not trying to make his life mirror too closely that of the complex (some would say pompous) arena-rock band—he doesn’t overdo his metaphor. Dawson’s artwork has a similarly unassuming quality, its slightly exaggerated style occasionally mindful of Peter Bagge’s Hate comics, but without the punk extremism. Occasional interludes imagine episodes in the career of George Michael (perhaps as a nod to the author’s sister?), but for the most part Dawson offers an uninterrupted flow of biographical data. Even though he’s supposedly the world’s greatest Queen fan, he never makes readers understand exactly what the band means to him. Long before the book is finished, his obsession with Queen seems more like a convenient hook than a topic he intends to explore in any depth.
Dull and uninspiring—could definitely use some of Freddie Mercury’s camp to liven things up.Pub Date: June 1, 2008
ISBN: 978-1-59691-476-6
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2008
BOOK REVIEW
BOOK REVIEW
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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