Fast-flying, if sometimes-simplistic, pieces that celebrate patient observation and the beauty of birds.
Short pieces capture a Chicago-area bird watcher’s thoughts as he looks for glimpses of life on the wing.
The one-page reflections here first appeared in the online magazine Two-Fisted Birdwatcher in its “Daily Sightings” category. The magazine was founded by Lubow (Paper and Ink: Stories, 2015), a former creative director at one advertising agency and founder of another. He’s not an ornithologist, however—he’s a “regular guy” jotting down his sightings as he looks at birds or takes short wilderness walks. He’s knowledgeable about birds’ names, habits, colors, and so on, but wears it lightly, saying, for example, of the many varieties of warbler, “screw their picky little names.” Many pieces speak of Lubow’s longing for the wilderness that underlies his big-city life. He grabs moments on weekends, while on his way from a presentation, or while driving home from work. Yet, he says, “When you leave the woods, all settled and free of words, what craziness makes you go to the keyboard and type these?” Many readers will find the tension of this contradiction to be relatable. Lubow’s advertising background gives him a good instinct for pared-down prose and punchy lines that approach the directness of poetry, as in “Place names”: “I’m not in the business of naming things. Still, that doesn’t stop me from remembering them. And, in a way, that’s the same thing.” That said, the pieces’ stripped-down style (and especially their endings) sometimes feel forced, rushed, or oversimplified. Wondering why bee populations are down and cormorants are plentiful, Lubow just shrugs: “What’s going on? That’s up to science to figure out, if it can,” concluding that “change happens—get used to it.” Another essay observes a drastic decline in eastern meadowlarks, ending with the question, “was that meadowlark the last one you’re going to see around here?” That would be a shame, and much more than a personal one, but it’s something that Lubow doesn’t really confront. Nevertheless, he succeeds in conveying his love for avians and the excitement of spotting them in the wild.
Fast-flying, if sometimes-simplistic, pieces that celebrate patient observation and the beauty of birds.Pub Date: Sept. 14, 2015
ISBN: 978-1-4996-2446-5
Page Count: 166
Publisher: CreateSpace
Review Posted Online: Oct. 27, 2015
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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