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RED ZONE

A novelist forcing cleverness is like a QB forcing throws into double coverage: prospects bleak.

The famed sportswriter’s blitz of one-liners sacks his latest football novel.

It’s not that the jokes are never funny; it’s just that they so seldom stop. Again and again—as was the case in Bump and Run (2000), to which this is a sequel—the effect is to strip a scene of its drama, or to undercut character credibility, the sine qua non of maintaining reader interest. Too bad, because Jack Molloy—a man with a code in a world that has no time for such abstractions—is a character people might like if they were allowed to take him seriously. More than a year has passed since Molloy’s New York Hawks, the team he inherited from his father, posted that stirring victory in the Super Bowl. Aside from swanning around in Europe, Molloy has done little with his life since, and nothing that could be considered positive. On the negative side, he’s managed to make a kind of Faustian bargain with a robber baron named Dick Miles, and when he wakes up to the starkness of its implications, he discovers he’s got scads of money and no football team. True enough, the title on the door says President, but controlling interest is owned by the rapscallion who euchred him out of it. Sobered by his own fecklessness, Molloy dedicates himself to retrieving what he once swore he’d never part with. Not easy. Shrewd as well as ruthless, Miles has attacked the Molloy support system, systematically dismantling it: friend and coach allowed to seek Green Bay pastures; secretary and all-purpose loyalist fired for bogus reasons; and so on. But Miles is about to learn what others have before him—it’s a mistake to underestimate an aroused Molloy.

A novelist forcing cleverness is like a QB forcing throws into double coverage: prospects bleak.

Pub Date: Nov. 1, 2003

ISBN: 0-399-15082-X

Page Count: 352

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 2003

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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