If Mr. Rogers wrote sword-and-sorcery adventures, they might look like this.
This sequel to Mellybean and the Giant Monster (2020) makes an effective case that “adorable” might be a genre.
In little black dog Mellybean’s second outing, she returns to the kingdom of giant (and benevolent) monster Narra for a world- and cast-expanding adventure. Hetty the hippocorn may be the cutest thing ever. She has the tail of a horse and the wings of a fairy. Even the villain in this story has the face of a Kewpie doll. She has a master plan to remain young forever, but even in her most aged form, her wrinkle lines just make her look like a ventriloquist’s dummy. According to tradition, Mellybean and the three cats who accompany her ought to spend most of the book fighting one another, but instead they come up with a battle plan: They’re going to talk to the evil wizard nicely, rub up against her legs, and lick her nose. Everyone is so infuriatingly nice that even the wizard gets a happy, or at least peaceful, ending. Cynical readers may wish that Mellybean would tip over, since her head is larger than her body, but the character designs are charming, with portmanteau animals like a dragonseal and a griffinbear. The characters don’t always have the dynamic sense of motion they did in the first Mellybean book—the poses are often quite stiff —but there are some spectacular examples of perspective drawing and, as in the first book, the few human characters come from many different races.
If Mr. Rogers wrote sword-and-sorcery adventures, they might look like this. (Graphic fantasy. 8-12)Pub Date: June 15, 2021
ISBN: 978-0-593-20281-4
Page Count: 208
Publisher: Razorbill/Penguin
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
An emotional, much-needed historical graphic novel.
Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.
Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.
An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-5253-0334-0
Page Count: 112
Publisher: Kids Can
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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