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MY TOWN'S (EXTRA) ORDINARY PEOPLE

A gentle reminder that everyone is worth valuing—even those without superpowers, exotic skills, wealth, dramatic pasts, or...

From Germany, a portrait gallery of regular people—each with “something that makes them unique, special, and interesting.”

The narrator introduces himself as “Theo” and then goes on to introduce 22 further named residents of his seaside town. One is a dog, and most of the blocky human figures in Casal’s serigraphic-style illustrations sport light complexions. Still, some, such as Ayaan, who once filled the back of his pickup with water for beloved nephews Ismail and Rashid to splash in, and dark-skinned Lorca, listening raptly as his paper-white dad, Deshaun, recites poetry on their daily walk to school, stir a bit of diversity into the mix. Certain figures seem typecast—cat lady Emily, for instance, and “laidback dude” Mike, always up for “a most tubular day of surfing”—but the descriptive comments offered for one and all elevate common traits or occupations into something admirable, or at least distinctive. Alexandra the potter “shapes beautiful and useful objects that please our senses.” Sara the bookstore owner “always finds the right book for me.” Flamboyant Zaza is invited to every event because “when he has arrived, so has the party!” To readers who think the people in their own lives have nothing similar to offer, Theo closes with a suggestion that closer looks might be unexpectedly rewarding.

A gentle reminder that everyone is worth valuing—even those without superpowers, exotic skills, wealth, dramatic pasts, or hordes of online friends. (Picture book. 6-8)

Pub Date: March 19, 2019

ISBN: 978-3-7913-7383-6

Page Count: 48

Publisher: Prestel

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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THE NOTE WHO FACED THE MUSIC

Amusing but a little off tempo.

It’s important to hit all the right notes.

A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)

Amusing but a little off tempo. (glossary) (Picture book. 6-8)

Pub Date: March 14, 2023

ISBN: 978-1-64567-631-7

Page Count: 32

Publisher: Page Street

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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KONDO & KEZUMI VISIT GIANT ISLAND

From the Kondo & Kezumi series , Vol. 1

A story of friendship that is both lively and lovely

Two friends embark upon a high-seas adventure.

Kondo, a large lemon-colored creature with wide round eyes, spends his day on his island home with his best friend, tangerine-hued Kezumi. Together, they frolic on their idyllic isle picking berries (tall Kondo nabs the higher fruit while Kezumi helps to retrieve the lower) while surrounded by tiny “flitter-birds” and round “fluffle-bunnies.” One day, Kezumi finds a map in a bottle that declares “WE ARE NOT ALONE.” Inspired by visions of a larger world, Kondo and Kezumi fashion a boat from a bathtub and set sail. The pair visits fantastical islands—deliciously cheese-laden Dairy Isle, the fiery and fearsome Fireskull Island—until they eventually settle upon the titular Giant Island, where they meet Albert, a gigantic gray talking mountain who is—obviously—unable to leave. Enthralled by his new friends, Albert wants them to stay forever. After Albert makes a fraught decision, Kondo and Kezumi find themselves at a crossroads and must confront their new friend. Goodner and Tsurumi’s brightly illustrated chapter book should find favor with fans of Kate DiCamillo and Chris Van Dusen’s similarly designed Mercy Watson series. Short, wry, descriptive sentences make for an equally enjoyable experience whether read aloud or independently. Episodic chapters move the action along jauntily; the conclusion is somewhat abrupt, but it promises more exploration and adventures for the best friends. (This review was originally published in the June 1, 2019, issue. The book data has been updated to reflect changes in publisher and date of publication.)

A story of friendship that is both lively and lovely (Fantasy. 6-8)

Pub Date: Oct. 27, 2020

ISBN: 978-1-368-02577-5

Page Count: 80

Publisher: Little, Brown

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: July 15, 2020

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