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KIN

A masterwork of modern European letters that should earn the author a wide readership outside his homeland.

Vast, generous-spirited story of family across the face of the 20th century in the turbulent Balkans.

“Around the subject of my elder uncle there was silence.” So writes the prolific Bosnia-born Croatian journalist, novelist, and poet Jergović at the beginning of this epic. That silence, born of an accident of history and bloodlines, surrounds much of his family in this blend of memoir and fiction. (It is seldom clear where fact shades into invention.) The uncle’s maternal grandfather, Jergović’s great-grandfather, was an ethnic German who spoke only German to his children, and although his Croatian and Slovene sons-in-law spoke German fluently, he spoke to them only in their languages. Fastidious about his Germanness and the difference of others, that great-grandfather nonetheless stood alongside Jews, Turks, Croatians, Hungarians, Bulgarians, and all the other diverse people who made up the population of Sarajevo; during World War II, when those ethnic distinctions were made matters of life and death, he sheltered his neighbors from the Croatian fascists, the Ustaše, “not primarily because he was a good and unselfish man, but because they were an important part of his own world.” In short, Opapa couldn’t imagine a monocultural life. Jergović himself, old enough to remember life in socialist Yugoslavia before it splintered in civil war, recounts being breastfed at birth by “an unknown Muslim woman,” further evidence of universality in a time of ethnic hatred. Jergović’s pages are peppered with walk-ons from Bosnian, Serbian, and Croatian history, such as a feared interrogator who, after retiring, “had a small house with a large garden full of roses, which he cared for himself, breeding some and buying others from various parts of the world.” Even monsters, it seems, are susceptible to beauty. There is beauty aplenty, and ample monstrosity, in Jergović’s account, as well as many moments of mystery: a beekeeper’s coded journal, the alpenglow that surrounds Sarajevo as surely as a besieging army, the “living torment” that is existence, all come under Jergović’s empathetic eye.

A masterwork of modern European letters that should earn the author a wide readership outside his homeland.

Pub Date: June 15, 2021

ISBN: 978-1-939810-52-6

Page Count: 500

Publisher: Archipelago

Review Posted Online: Feb. 9, 2021

Kirkus Reviews Issue: March 1, 2021

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THE FIVE-STAR WEEKEND

The people in her books may screw up, but Hilderbrand always gets it right. Kind of amazing.

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  • Kirkus Reviews'
    Best Books Of 2023


  • New York Times Bestseller

A dreamy Nantucket house party given by a meticulous hostess goes off the rails.

“When Hollis posts a potato and white cheddar tart with a crispy bacon crust, her foodie community breaks the one-million-member milestone. (Leave it to bacon!)” And leave it to Hilderbrand, in her 30th book of Nantucket-based fiction, to cook up more literary bacon, this time focusing on female friendship, female “friendship,” and the power of the internet and social media. When Hollis Shaw's doctor husband dies in a crash on the way to the airport, she steps back from Hungry With Hollis, her popular website. After moping around her house in “Swellesley” for a while, she returns to Nantucket for the summer, planning a kick-out-the-stops weekend party that will involve one girlfriend from each phase of her life—youth, college, motherhood—plus her favorite internet follower, an Atlanta-based airline pilot, whom she's never actually met. Two of these old pals are definitely not as close to Hollis as they once were, one of them has done her secret harm, and Hollis dramatically increases the potential for trouble by paying her angry 20-something daughter to document the weekend on film. Add two bottles each of Casa Dragones tequila, Triple 8 vodka, and Veuve Clicquot, plus some Hendricks gin and Mount Gay rum—what could possibly go wrong? Known for gently inserting social commentary into her plots, Hilderbrand here highlights the ridiculous fickleness of cancel culture when one of the characters—Dru-Ann, an extremely successful Black sports agent—almost loses her clients, her job, and her boyfriend when a video clip of a private conversation in a restaurant is posted on social media. Everyone says there's no way forward without a self-effacing apology. Dru-Ann says pass the Casa Dragones. Meanwhile, Hollis is about to learn that friendships forged on the internet are not always what they seem. Hilderbrand has announced plans to retire in 2024. Wait—that's next year! No!

The people in her books may screw up, but Hilderbrand always gets it right. Kind of amazing.

Pub Date: June 13, 2023

ISBN: 9780316258777

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Feb. 7, 2023

Kirkus Reviews Issue: March 1, 2023

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THE MOST FUN WE EVER HAD

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...

Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.

Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.

Pub Date: June 25, 2019

ISBN: 978-0-385-54425-2

Page Count: 544

Publisher: Doubleday

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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