The recycling of paper is not new, nor is racism. This book explores both in the historical context of San Francisco's Chinatown during WW II. Nim is competing in a school newspaper drive to help the war effort. In her free time she scouts out the neighborhood for more paper, red wagon in tow, and runs into her closest competitor, Garland Stephenson. He's not above stealing a pile of papers left for Nim by her aunt, taking new papers from a vendor, or ridiculing Nim by saying that the winner of the competition will be an American, and ``not some Chinese smarty-pants.'' Nim almost gets the last laugh when she discovers a motherlode of newspapers in a garage in Nob Hill, and calls the police to deliver them to her school. However, her discovery makes her late getting home, and she is reprimanded by her grandfather. Nim's close relationship and respect for her grandfather temper her pride in her success. The muted colors of the illustrations and the unhurried beginning create an intimate, if slow-moving, story. What separates this story from simple nostalgia is Lee's close recollection of details—the scarcity of newspaper during the war years, or the flag pin worn by Chinese-Americans (so they would not be identified as ``the enemy''—the Japanese). All these details place the affecting story in a real, not idealized, America. (Picture book. 6+)
Pub Date: March 21, 1997
ISBN: 0-374-35523-1
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1997
BOOK REVIEW
BOOK REVIEW
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For the 90's, a handsome, well-documented collection of stories about nine uniquely American characters. In her intelligent introduction, Osborne explains their genesis ``from various combinations of historical fact, the storytelling of ordinary people, and the imagination of professional writers'' and notes that changing times put a new light on stories deriding various groups (including women and even animals). Thus her intention is to emphasize ``gargantuan physical courage and absurd humor'' and to ``bring out the vulnerable and compassionate side'' despite the stories' ``ineradicable taint of violence.'' Osborne succeeds pretty well in her intention, piecing together stories that make fine introductions to characters like Mose and Stormalong. Her approach suits Johnny Appleseed and John Henry better than it does Davy Crockett battling a panther, but she does manage to put a new slant on Pecos Bill and his bouncing bride without undermining the story (there's no question of a wife's disobedience here; Sue wants to ride Bill's horse as a test of skill). The telling is more polished than lively—Glen Rounds's irrepressible wit (Ol' Paul, the Mighty Logger, 1949) is more fun, but these versions are perfectly acceptable. McCurdy's vigorous wood engravings, tinted with lucid color, contribute a rugged frontier flavor; lively, though a bit formal in style, they suit the text admirably. Each story is introduced by source notes; a story-by-story bibliography provides a good roundup of this popular genre. (Folklore. 6-12)
Pub Date: Oct. 1, 1991
ISBN: 0-679-80089-1
Page Count: 116
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1991
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
