by Milton Meltzer ‧ RELEASE DATE: Oct. 13, 1970
The one solid, unassailable accomplishment of this book is to set forth the achievements of the black-supported Republican state government and black officeholders on the state and local levels between 1870 and 1873; as a history of Reconstruction, however, it is emotional and partisan, fuller of blame than of sober, discriminating assessment. Omitted from the impressionistic tableau are the very limitations to the Emancipation Proclamation that the Thirteenth Amendment rectified and the absolute necessity for Congress to give the blacks votes to gain ratification of the Fourteenth Amendment; much that was specifically motivated becomes a matter of amorphous pressures. Neither do even the most sympathetic studies of the period substantiate the Claims made for black militance ("Thousands of new revolutionaries like the Gabriels and Denmark Veseys and Nat Turners Of slavery times had fused into a powerful black fist to help crush their oppressors") or slave transformation "almost overnight into makers and doers," "into farmers and businessmen, students and teachers, lawyers and bishops, jurors and judges, sheriffs and senators." That socially and economically life changed very little for the majority is thereby obscured. Obscured also, in a quote, is the revolutionary nature of the expansion of government services beyond their prewar level. On the one hand more is made of Reconstruction than the facts justify; on the other hand, less. And the concentration on oppression, injustice and terror, inarguable per se, overshadows what explanations are offered for both the inception and termination of Reconstruction. There is much drama (there will be pictures too), less enlightenment.
Pub Date: Oct. 13, 1970
ISBN: 0695801384
Page Count: 192
Publisher: Follett
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Oct. 1, 1970
Share your opinion of this book
More by Milton Meltzer
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Dominic Walliman ; illustrated by Ben Newman ‧ RELEASE DATE: Sept. 4, 2018
Energetic enough to carry younger rocketeers off the launch pad if not into a very high orbit.
The bubble-helmeted feline explains what rockets do and the role they have played in sending people (and animals) into space.
Addressing a somewhat younger audience than in previous outings (Professor Astro Cat’s Frontiers of Space, 2013, etc.), Astro Cat dispenses with all but a light shower of “factoroids” to describe how rockets work. A highly selective “History of Space Travel” follows—beginning with a crew of fruit flies sent aloft in 1947, later the dog Laika (her dismal fate left unmentioned), and the human Yuri Gagarin. Then it’s on to Apollo 11 in 1969; the space shuttles Discovery, Columbia, and Challenger (the fates of the latter two likewise elided); the promise of NASA’s next-gen Orion and the Space Launch System; and finally vague closing references to other rockets in the works for local tourism and, eventually, interstellar travel. In the illustrations the spacesuited professor, joined by a mouse and cat in similar dress, do little except float in space and point at things. Still, the art has a stylish retro look, and portraits of Sally Ride and Guion Bluford diversify an otherwise all-white, all-male astronaut corps posing heroically or riding blocky, geometric spacecraft across starry reaches.
Energetic enough to carry younger rocketeers off the launch pad if not into a very high orbit. (glossary) (Informational picture book. 6-8)Pub Date: Sept. 4, 2018
ISBN: 978-1-911171-55-3
Page Count: 32
Publisher: Flying Eye Books
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Share your opinion of this book
More In The Series
by Dominic Walliman ; illustrated by Ben Newman
by Dominic Walliman ; illustrated by Ben Newman
More by Dominic Walliman
BOOK REVIEW
by Dominic Walliman ; illustrated by Ben Newman
BOOK REVIEW
by Dominic Walliman ; illustrated by Ben Newman
BOOK REVIEW
by Dominic Walliman & Ben Newman ; illustrated by Ben Newman
by Barney Saltzberg ; illustrated by Barney Saltzberg ‧ RELEASE DATE: Sept. 23, 2010
A festive invitation to creative liberation.
A pleasingly tactile exploration of the possibilities inherent in mistakes.
"A torn piece of paper... / is just the beginning!" Spills, folded paper, drips of paint, smudges and smears—they "all can make magic appear." An increasingly complex series of scenarios celebrates random accidents, encouraging artistic experimentation rather than discouragement. The folded-over paper can be a penguin's head; a torn piece of newsprint can turn into a smiling dog with a little application of paint; a hot-chocolate stain can become a bog for a frog. Thanks to a telescoping pop-up, a hole is filled with nearly limitless possibilities. The interactive elements work beautifully with the photo-collaged "mistakes," never overwhelming the intent with showiness. Saltzberg's trademark cartoon animals provide a sweetly childlike counterpoint to the artful scribbles and smears of gloppy paint.
A festive invitation to creative liberation. (Pop-up. 4-12)Pub Date: Sept. 23, 2010
ISBN: 978-0-7611-5728-1
Page Count: 28
Publisher: Workman
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Dec. 1, 2010
Share your opinion of this book
More by Barney Saltzberg
BOOK REVIEW
by Barney Saltzberg ; illustrated by Barney Saltzberg
BOOK REVIEW
by Barney Saltzberg ; illustrated by Barney Saltzberg
BOOK REVIEW
by Barney Saltzberg ; illustrated by Barney Saltzberg
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.