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NOT A HAPPY CAMPER

A sweetly humorous fugitive from the Young Adult category, playing dress-up for nostalgic adults.

The memoir Bill Cosby might have written if he were a clever Jewish girl from suburban New Jersey sent to summer camp in the Maine woods.

A brand-new teenager in 1974, humorist Schneider spent eight weeks at kosher Camp Kin-a-Hurra (a seemingly Native-American term that’s actually Yiddish for “may no evil find you”). It was a dump, run by an amiable hustler who had added nothing to the ramshackle enterprise since he founded it in 1922. There the young captive Mindy mouthed age-old folk songs with campmates Dana Bleckman, Betty Gilbert, Borscha Belyavsky and Autumn Evening Schwartz. The quick-witted girls played softball indifferently, hiked ineptly, baked challa and frequently visited the boys’ encampment across the filthy lake. Goofy parents showed up, much to their progeny’s mortification. Mindy Plotke sprained her ankle on a mountain trail. Mindy Schneider’s long-term goal was to become popular and famous. Her short-term goal: getting popular and getting a boyfriend. Would it be Kenny Uber or Phillip Selig? At summer’s end, who would bestow her first kiss? The author winsomely recalls sleep-away dreams, growing into a training bra, struggling to control inconvenient rashes and awkward hormones. She punctuates her droll entertainment with references to junk food and TV staples of a generation ago, embellished with songs and snapshots from old Kin-a-Hurra.

A sweetly humorous fugitive from the Young Adult category, playing dress-up for nostalgic adults.

Pub Date: June 1, 2007

ISBN: 978-0-8021-1848-6

Page Count: 256

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2007

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LET ME FINISH

Graceful and deeply felt.

A collection of personal pieces, combined into an affecting memoir by longtime New Yorker editor Angell.

The author, a noted baseball writer (A Pitcher’s Story, 2001, etc.), has many intimate connections to the magazine Gardner Botsford once dubbed “The Comic Weekly,” in which most of these reminiscences originally appeared. His mother, Katherine, was the New Yorker’s fiction editor; years later, Angell held her former job—and occupied her office. His stepfather, E.B. White, was the magazine’s most important contributor during its most influential years. The memoir mostly concerns New Yorker colleagues and other remarkable people who have been a part of the author’s life. His father, lawyer Ernest Angell, lost Katherine to the younger White but over the years became a figure of immense importance to Roger. Angell loved his mother, loved White, loved his first wife (not much here about the cause of their 1960s divorce), loved his coworkers, loved his job. His portraits are really tributes, whether of the well-known William Maxwell, V.S. Pritchett, Harold Ross or William Shawn, or the lesser-known Botsford and Emily Hahn. Angell offers some New Yorker–insider tidbits (Ian Frazier mimicked Shawn’s voice so well that he could fool colleagues over the phone) and a bit more than you want to know about some of his aunts, one of whom wrote a book about Willa Cather. A dazzling story-within-a-story describes a 1940 round of golf with a mysterious woman who lost a valuable ring. The author seems uncertain how an iPod works but reveals an expertise with machine guns. His fickle memory frustrates and bemuses him. Sometimes he can recall only sensory images; sometimes the story unreeling in his mind skips, stops, fades, dissolves into something else. In several of his most appealing passages, he writes about the fictions that memory fashions.

Graceful and deeply felt.

Pub Date: May 8, 2006

ISBN: 0-15-101350-0

Page Count: 304

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2006

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LETTER TO MY DAUGHTER

A slim volume packed with nourishing nuggets of wisdom.

Life lessons from the celebrated poet.

Angelou (A Song Flung Up to Heaven, 2002, etc.) doesn’t have a daughter, per se, but “thousands of daughters,” multitudes that she gathers here in a Whitmanesque embrace to deliver her experiences. They come in the shape of memories and poems, tools that readers can fashion to their needs. “Believing that life loves the liver of it, I have dared to try many things,” she writes, proceeding to recount pungent moments, stories in which her behavior sometimes backfired, and sometimes surprised even herself. Much of it is framed by the “struggle against a condition of surrender” or submission. She refuses to preach or consider her personal insights as generalized edicts. She is reminded of the charity that words and gestures bring and the liberation that comes with honesty. Lies, she notes, often spring out of fear. She cheated madness by counting her blessings. She is enlivened by those in love. She understands the uses and abuses of violence. Occasionally a bit of old-fashioned advice filters in, as during a commencement address/poem in which she urges the graduates to make a difference, to be present and accountable. The topics are mostly big, raw and exposed. Where is death’s sting? “It is here in my heart.” Overarching each brief chapter is the vital energy of a woman taking life’s measure with every step.

A slim volume packed with nourishing nuggets of wisdom.

Pub Date: Sept. 30, 2008

ISBN: 978-1-4000-6612-4

Page Count: 192

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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