Difficult reading at times, but the sometimes-scattershot nature of the book fits the chaotic nature of the author’s grief.

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CARAVAN OF NO DESPAIR

A MEMOIR OF LOSS AND TRANSFORMATION

A memoir about writing through a devastating loss.

Years of work on a book, especially your first, make the day of publication a special occasion. You can’t put such effort into a project without feeling a deep satisfaction when it comes to fruition; some writers compare it to welcoming a new child. Starr’s (God of Love: A Guide to the Heart of Judaism, Christianity and Islam, 2012, etc.) first book, a translation of Dark Night of the Soul, came into the world in 2002 on the same day a police officer showed up to tell her that her daughter had died the night before in a car accident. The author understands that her spiritual journey can be best understood by setting the stage, introducing the players, and exploring the stories of the people she would turn to and rely on through the grief to come. As such, she writes about her convoluted upbringing. “The prevailing language of our extended family was sarcasm,” she writes, “and everyone seemed to have concluded that I was linguistically impaired. When my feelings were hurt (every few minutes, it seemed), that was because I had no sense of humor.” Surrounded by her family’s substance abuse and open relationships, Starr turned to Eastern spirituality early on. She worked as an assistant for famed spiritual teacher Ram Dass, but another spiritual guide took advantage of her adolescent innocence and tricked her into a sexual relationship, followed by a predictably degrading marriage. Starr takes a curious, almost journalistic approach to relating these events of her early years. There’s no sense of judgment of anybody who contributed to her tumultuous transition into adulthood. Also curious is the seeming disconnectedness of the first half of the book from the second half, but she brings them together toward the end, linking her spiritual travails to harrowing writing about her grief over her daughter.

Difficult reading at times, but the sometimes-scattershot nature of the book fits the chaotic nature of the author’s grief.

Pub Date: Nov. 1, 2015

ISBN: 978-1-62203-413-0

Page Count: 280

Publisher: Sounds True

Review Posted Online: Sept. 23, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author’s sincere sermon—at times analytical, at times hortatory—remains a hopeful one.

THE ROAD TO CHARACTER

New York Times columnist Brooks (The Social Animal: The Hidden Sources of Love, Character and Achievement, 2011, etc.) returns with another volume that walks the thin line between self-help and cultural criticism.

Sandwiched between his introduction and conclusion are eight chapters that profile exemplars (Samuel Johnson and Michel de Montaigne are textual roommates) whose lives can, in Brooks’ view, show us the light. Given the author’s conservative bent in his column, readers may be surprised to discover that his cast includes some notable leftists, including Frances Perkins, Dorothy Day, and A. Philip Randolph. (Also included are Gens. Eisenhower and Marshall, Augustine, and George Eliot.) Throughout the book, Brooks’ pattern is fairly consistent: he sketches each individual’s life, highlighting struggles won and weaknesses overcome (or not), and extracts lessons for the rest of us. In general, he celebrates hard work, humility, self-effacement, and devotion to a true vocation. Early in his text, he adapts the “Adam I and Adam II” construction from the work of Rabbi Joseph Soloveitchik, Adam I being the more external, career-driven human, Adam II the one who “wants to have a serene inner character.” At times, this veers near the Devil Bugs Bunny and Angel Bugs that sit on the cartoon character’s shoulders at critical moments. Brooks liberally seasons the narrative with many allusions to history, philosophy, and literature. Viktor Frankl, Edgar Allan Poe, Paul Tillich, William and Henry James, Matthew Arnold, Virginia Woolf—these are but a few who pop up. Although Brooks goes after the selfie generation, he does so in a fairly nuanced way, noting that it was really the World War II Greatest Generation who started the ball rolling. He is careful to emphasize that no one—even those he profiles—is anywhere near flawless.

The author’s sincere sermon—at times analytical, at times hortatory—remains a hopeful one.

Pub Date: April 21, 2015

ISBN: 978-0-8129-9325-7

Page Count: 320

Publisher: Random House

Review Posted Online: Feb. 16, 2015

Kirkus Reviews Issue: March 1, 2015

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