Vivid, offbeat, and instructive.
An unseen author guides a scribble through the elements of story creation.
A paintbrush dabs a pear-shaped orange blob onto the page, then pencil lines are added, making a face, arms and legs, and voilà: Scribble. Author, appearing only as a disembodied voice, announces that the scribble will be given the opportunity to make a journey. The text and illustrations are completely interdependent. Although Author never appears, digitally collaged-in photographs of a sharp pencil, a brush, and an eraser, later joined by lined paper, a sharpener, and cellophane tape, all play a role in the evolving story. Author’s voice takes the form of narrative text in a type reminiscent of an old-style typewriter, while Scribble interacts with faux hand-printed dialogue in speech balloons. The scribble must make all the decisions, passing along a curvy yellow road through gates that lead to the beginning, middle, and end of the story, all rendered in softly hued watercolor with a bit of black line for definition. Author encourages, exhorts, challenges, and offers suggestions, while Scribble makes inventive use of the accouterments provided by Author. Leshem-Pelly endows Scribble with a childlike demeanor and the willingness to go along on this new adventure. At times Author can be annoying, didactic, and pushy, but Scribble valiantly carries on, finally arriving at an imaginative happy ending.
Vivid, offbeat, and instructive. (Picture book. 4-8)Pub Date: Dec. 1, 2016
ISBN: 978-1-61067-575-8
Page Count: 32
Publisher: Kane Miller
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 15, 2016
BOOK REVIEW
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...
An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.Pub Date: March 13, 2012
ISBN: 978-0-7636-5692-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A rollicking tale of rivalry.
Sweet Street had just one baker, Monsieur Oliphant, until two new confectionists move in, bringing a sugar rush of competition and customers.
First comes “Cookie Concocter par excellence” Mademoiselle Fee and then a pie maker, who opens “the divine Patisserie Clotilde!” With each new arrival to Sweet Street, rivalries mount and lines of hungry treat lovers lengthen. Children will delight in thinking about an abundance of gingerbread cookies, teetering, towering cakes, and blackbird pies. Wonderfully eccentric line-and-watercolor illustrations (with whites and marbled pastels like frosting) appeal too. Fine linework lends specificity to an off-kilter world in which buildings tilt at wacky angles and odd-looking (exclusively pale) people walk about, their pantaloons, ruffles, long torsos, and twiglike arms, legs, and fingers distinguishing them as wonderfully idiosyncratic. Rotund Monsieur Oliphant’s periwinkle complexion, flapping ears, and elongated nose make him look remarkably like an elephant while the women confectionists appear clownlike, with exaggerated lips, extravagantly lashed eyes, and voluminous clothes. French idioms surface intermittently, adding a certain je ne sais quoi. Embedded rhymes contribute to a bouncing, playful narrative too: “He layered them and cherried them and married people on them.” Tension builds as the cul de sac grows more congested with sweet-makers, competition, frustration, and customers. When the inevitable, fantastically messy food fight occurs, an observant child finds a sweet solution amid the delicious detritus.
A rollicking tale of rivalry. (Picture book. 4-8 )Pub Date: July 7, 2020
ISBN: 978-1-101-91885-2
Page Count: 44
Publisher: Tundra Books
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
