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THE ROPE OF LIFE

A MEMOIR

A story of a man’s life told through a daughter’s eyes that masterfully balances unvarnished truths with affection.

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A daughter’s exploration of her father’s life and his battles with mental health.

In this poignant memoir written decades after her father’s death by suicide, Kossoff explores his life “from the heart and soul of the girl I once was, through the lens of the woman I have become.” A cocky Jewish New Yorker and pilot during World War II, Hugh Kossoff married a fundamentalist Southern Baptist and attended dental school in Baltimore, then moved to North Carolina, where a sham test administered by the state’s Board of Dental Examiners failed him because “they didn’t want another Jew practicing in Winston-Salem.” At that point, Kossoff’s young family moved across the border to Danville, Virginia. In a city with a small Jewish population and a local country club that denied membership to Jews, Kossoff (who had converted to Christianity before marrying the author’s mother) became a deacon in a local fundamentalist Baptist church. Ever cognizant of the South’s rampant anti-Semitism, he would later have plastic surgery to reduce the size of his prominent nose. Though the author’s goal is to understand the “mystery” and “puzzle” of her often detached father, her recollections are peppered with humorous anecdotes and compelling descriptions of race, religion, and local characters in the 1950s and 1960s South. The juxtaposition of the author’s family tree often makes for a fascinating read. In a single chapter, readers are introduced to Yiddish speaking relatives in the Bronx on one branch while on the other, they meet a Southern cousin whose bedroom is adorned with a Nazi flag and Confederate paraphernalia. The last third of the book details the harrowing physical and mental decline of her father and family secrets uncovered after his death. Kossoff’s struggle to reconcile an idealized image and memory of her father with the harsh realities laid bare in his later years is both heartbreaking and cathartic. Though the particulars of this story are unique, this is a profound memoir that articulates the human struggle to balance innate love of a family member while also acknowledging their complexities and flaws.

A story of a man’s life told through a daughter’s eyes that masterfully balances unvarnished truths with affection. (afterword, acknowledgments)

Pub Date: July 27, 2020

ISBN: 978-1-73368-167-4

Page Count: 252

Publisher: Lystra Books & Literary Services, LLC

Review Posted Online: Oct. 1, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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