An enjoyable, satisfying escape with a unique twist.




After witnessing the abduction of a young child in Hoboken, New Jersey, a woman begins to channel her inner Neanderthal in this genre-bending mystery.

It’s hard not to like Bronwyn Bloom, the protagonist of Rhodes’ debut novel. A paleoanthropologist teaching at New York University and a divorced mother of two sons, she descends from a Welsh family that’s always believed they were part Neanderthal. She’s hypersensitive to the world around her and afraid that some might call her “neurotic.” One day, on her way to work, she notices a young woman ushering a small boy into a van. Something seems vaguely off, so she jots down part of the van’s license plate before she continues on her way. When she receives an Amber Alert on her cellphone about Ian Waltham’s disappearance, she contacts the police department to share what little information she has with Detective Victor Cabrera. Haunted by the kidnapping and guilt-stricken over not having done something to stop it, Bronwyn gets involved in the investigation, which ultimately puts her life in jeopardy. She also undergoes “a transgenerational ancestor regression” to access her inherited memories after being egged on to do so by her friend James, a professor of anthropology and an expert in “the healing techniques of the Peruvian shamans.” She begins to experience dreams and visions that depict the experiences of a young Neanderthal woman. As these increase in frequency and intensity, so do Bronwyn’s extrasensory perceptions. Rhodes plays with the provocative theory that human DNA contains not just physical properties, but collective memories as well. She’s also apparently done considerable research on what’s known or hypothesized about Neanderthal life, which allows her to give Bronwyn’s fantasy flights 40,000 years into the past an air of authenticity. As a result, the Neanderthal subplot becomes just as engaging as the present-day crime story. Rhodes builds her first-person narrative carefully, beginning gently by introducing secondary characters and providing descriptions of Hoboken’s transition from working-class neighborhoods to trendy enclaves. Gradually, the pace and tension accelerate, and the book becomes a true page-turner.

An enjoyable, satisfying escape with a unique twist.

Pub Date: July 21, 2016


Page Count: 244

Publisher: Rowan Books

Review Posted Online: Oct. 31, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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