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The Seven Deadly Misconceptions

An unpersuasive argument for overturning mainstream science’s understanding of the universe.

An outsider challenges the fundamental underpinnings of modern physics.

In this debut science book, Mohanlal explores the ways in which he believes conventional physics has misinterpreted the universe and rendered an inaccurate portrait of reality. The author begins by challenging conventional wisdom regarding the moon’s orbit around the Earth, then proceeds to attack standard conceptions of gravity, time, and the structure of the atom. The book argues for the existence of an ether (despite “an unwritten ban on ether theories”) that fills space outside the Earth’s atmosphere and is responsible for phenomena usually attributed to gravity, electromagnetism, and strong nuclear force. Diagrams, thought experiments, and quotations from scientists and philosophers form Mohanlal’s arguments in favor of a universe governed by “gravither.” The book presents a unified theory based on the author’s interpretations, and offers suggestions for research to provide experimental proof. Mohanlal makes it clear that he approaches the study of physics from an outsider’s perspective (“Prior to this, I firmly believed that science is all about absolute truth, logic, and facts that are established after thorough research, experimentation, and verification”) and with a naïve conception of professional science (“I was surprised when I became aware that even the scientific community is dogged by politics, favoritism, egos, and so on”). Mohanlal writes about his extensive study of physics, and displays familiarity with many of the discipline’s concepts, though the conclusions he draws on topics like the effect of a lunar eclipse on gravity are questionable, and minor errors like the misspelling of Galileo’s name do not inspire full confidence in the book’s analysis. Though the volume’s central aim is to overthrow established theories, Mohanlal presents his interpretations with the same certainty he questions, frequently describing his conclusions as “beyond any doubt,” supported by “irrefutable proof” with “only one explanation.” It is evident that Mohanlal has thought deeply about the subject, and the book presents some intriguing objections to conventional scientific thought, but it does so without a convincing case for its new theory.

 An unpersuasive argument for overturning mainstream science’s understanding of the universe.

Pub Date: April 13, 2016

ISBN: 978-9-35-206911-8

Page Count: 234

Publisher: Notion Press

Review Posted Online: Aug. 12, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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