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DUTY FREE

A zesty South Asian accent gives this lightweight romp some heft.

In Pakistan-born, London-resident Mohsin’s U.S. debut, an affluent Lahore housewife reluctantly seeks a suitable bride for her nerdy cousin Jonkers.

Really, it was mean of her Aunty Pussy to pressure our unnamed narrator into helping with this daunting task. Sure, the family has plenty of money, thanks to Uncle Kaukab’s stint as “chief of central board of revenew” in the ’80s, but Aunt Pussy wants Jonkers “to make a big marriage, na, to a nice rich, fair, beautiful type from an old family.” He wants to marry for love and actually asks his cousin if she is happily wed. Well of course! Husband Janoo may spend a lot of time in “his bore village” and seem disappointed that his empty-headed spouse displays no shred of social conscience or glimmer of intellect as Pakistan goes to pieces in late 2009. What does she care? She has “a big house, servants, social life, status, cars, cupboards full of designer joras and jewellery, and so on and so fourth.” If only the “beardo-weirdos” would quit setting off bombs and threatening girls’ schools, she could seriously enjoy shopping and hanging out with her equally status-conscious girlfriends. Our heroine’s solipsistic diary entries aren’t quite as hilarious as the author imagines, though her mix of Urdu and English filled with misspellings and malapropisms gives a tangy sense of her semi-educated, privileged mindset. Readers may not feel terrible when the narrator and a friend are robbed at gunpoint as they’re having “a good old goss” in her car while a servant buys them fruit. But just as we’re about to write her off, she proves to have a heart and decides to defend the hardworking travel agent Jonkers has fallen for against snobbish Aunty Pussy. Her discovery of an ethical core is a trifle sudden, but Mohsin’s tale is good-natured enough so that we’re happy it ends with a wedding and reconciliations all around.

A zesty South Asian accent gives this lightweight romp some heft.

Pub Date: Sept. 6, 2011

ISBN: 978-0-307-88924-9

Page Count: 272

Publisher: Broadway

Review Posted Online: July 26, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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