Newcomer Ali was born in Bangladesh and raised in England, where Brick Lane has been acclaimed, and rightly so: she is one...
Everyday life requires courage. That simple truth is the foundation of this fine debut about a young Bangladeshi woman in London, struggling to make sense of home, family, Islam, and even adultery.
You’re only 18 when an arranged marriage whisks you off to a faraway land whose language you can’t understand. Your husband is middle-aged and ugly as sin. What for Westerners would be a fate worse than death is for Ali’s heroine Nazneen fate, period. A devout Moslem, she has inherited her mother’s stoic acceptance of God’s will, even heeding her husband Chanu’s advice not to leave their apartment in the grim projects on her own; people would talk. Chanu is happy to have acquired “an unspoilt girl. From the village.” He’s a gentle but insufferably verbose man, a low-level bureaucrat. He’s also a born loser, and Ali’s masterly portrayal mixes mordant humor with a full measure of pathos. The excitement here comes in watching Nazneen’s new identity flower on this stony soil. Motherhood is the first agent of change. Her firstborn dies in infancy, but her daughters Shahana and Bibi thrive. A power shift occurs when Shahana rebels against her father, an ineffectual martinet; Nazneen the peacemaker holds the family together. When Chanu falls into the clutches of the moneylender Mrs. Islam (a sinister figure straight out of Dickens), Nazneen becomes a breadwinner, doing piecework at home and thus meeting the middleman Kazim, who is also an activist fighting racism. They become lovers; and again Nazneen sees herself as submitting to fate. But when Chanu, increasingly beleaguered, announces their imminent return to Bangladesh, Nazneen asserts herself. On one day of wrenching suspense, she deals forcefully with Mrs. Islam, Kazim, and Chanu, and emerges as a strong, decisive, modern woman. The transformation is thrilling.
Newcomer Ali was born in Bangladesh and raised in England, where Brick Lane has been acclaimed, and rightly so: she is one of those dangerous writers who sees everything.Pub Date: Sept. 9, 2003
ISBN: 0-7432-4330-7
Page Count: 384
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2003
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
