This beautifully designed story of soccer’s best athlete begins in the midst of a game with the star about to score. “Pelé! Pelé! O Rei! Pelé! The King!” shouts the roaring crowd. Brown’s exuberant introduction transitions to a more sedate narrative that depicts the poor but hopeful upbringing of a boy in a small Brazilian town, playing soccer with nothing but a grapefruit or a newspaper-filled sock. When ten-year-old Pelé sees his father’s disappointment after Brazil’s World Cup loss, his promise to win one for his dad foreshadows his hard work and escalating talent. Gutiérrez’s alluring multi-style gouache paintings swoop and swirl with energy and color. An abstract Pelé in a sweeping, action-filled kick appears against more realistic portraits of a boy and his father, all superimposed over backgrounds and borders that reflect indigenous patterns. The stunning images place Pelé’s achievements within the context of his native country. Told in a dual English/Spanish text, this inspiring blend of art and story scores a winning goal. (Picture book/biography. 5-8)
Pub Date: Jan. 1, 2009
ISBN: 978-0-06-122779-0
Page Count: 40
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
This second early biography of Cousteau in a year echoes Jennifer Berne’s Manfish: A Story of Jacques Cousteau (2008), illustrated by Eric Puybaret, in offering visuals that are more fanciful than informational, but also complements it with a focus less on the early life of the explorer and eco-activist than on his later inventions and achievements. In full-bleed scenes that are often segmented and kaleidoscopic, Yaccarino sets his hook-nosed subject amid shoals of Impressionistic fish and other marine images, rendered in multiple layers of thinly applied, imaginatively colored paint. His customarily sharp, geometric lines take on the wavy translucence of undersea shapes with a little bit of help from the airbrush. Along with tracing Cousteau’s undersea career from his first, life-changing, pair of goggles and the later aqualung to his minisub Sea Flea, the author pays tribute to his revolutionary film and TV work, and his later efforts to call attention to the effects of pollution. Cousteau’s enduring fascination with the sea comes through clearly, and can’t help sparking similar feelings in readers. (chronology, source list) (Picture book/biography. 6-8)
Pub Date: March 24, 2009
ISBN: 978-0-375-85573-3
Page Count: 40
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2009
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