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UNDER THE BREADFRUIT TREE

A moving collage of poems and illustrations recreates the daily life of a girl growing up in Jamaica, introducing friends and relatives in her life, and reflecting her observations. Readers will sense the narrator's exhilaration at splashing in the ``water crystals'' that spray out of Aunt Sue's hose, and will join in her adventures with her best friend, Connie. Sad moments come, too; when Connie dies, readers feel the loss acutely. Gems of human kindness shine particularly bright amidst the ever-present poverty of the island: Aunt Mae shares breadfruit with Grandma when food is scarce, and Uncle Viv can't stop giving away plums to hungry street children. Although a vendor of spicy patties appears to be selling doughnuts and cupcakes, the black-and-white scratchboard illustrations capture Jamaica through the textures of palm leaves, breadfruit, bird feathers, and the wrinkled skin of the elderly. Readers will learn more about Jamaica from these sensitive poems than many visitors to the island ever do. (Poetry. 7-10)

Pub Date: March 1, 1998

ISBN: 1-56397-539-4

Page Count: 48

Publisher: Wordsong/Boyds Mills

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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WRITE! WRITE! WRITE!

Here’s hoping this will inspire many children to joyfully engage in writing.

Both technique and imaginative impulse can be found in this useful selection of poems about the literary art.

Starting with the essentials of the English language, the letters of “Our Alphabet,” the collection moves through 21 other poems of different types, meters, and rhyme schemes. This anthology has clear classroom applications, but it will also be enjoyed by individual readers who can pore carefully over playful illustrations filled with diverse children, butterflies, flowers, books, and pieces of writing. Tackling various parts of the writing process, from “How To Begin” through “Revision Is” to “Final Edit,” the poems also touch on some reasons for writing, like “Thank You Notes” and “Writing About Reading.” Some of the poems are funny, as in the quirky, four-line “If I Were an Octopus”: “I’d grab eight pencils. / All identical. / I’d fill eight notebooks. / One per tentacle.” An amusing undersea scene dominated by a smiling, orangy octopus fills this double-page spread. Some of the poems are more focused (and less lyrical) than others, such as “Final Edit” with its ending stanzas: “I check once more to guarantee / all is flawless as can be. / Careless errors will discredit / my hard work. / That’s why I edit. / But I don’t like it. / There I said it.” At least the poet tries for a little humor in those final lines.

Here’s hoping this will inspire many children to joyfully engage in writing. (Picture book/poetry. 7-10)

Pub Date: March 17, 2020

ISBN: 978-1-68437-362-8

Page Count: 32

Publisher: Wordsong/Boyds Mills

Review Posted Online: Dec. 17, 2019

Kirkus Reviews Issue: March 1, 2020

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A CHILD'S CALENDAR

Updike has revised a set of 12 short poems, one per month, first published in 1965, and Hyman’s busy, finely detailed scenes replace the original edition’s illustrations by Nancy Ekholm Burkert. The verses are written in a child’s voice—“The chickadees/Grow plump on seed/That Mother pours/Where they can feed”—and commemorate seasonal weather, flowers, food, and holidays. In the paintings a multiracial, all-ages cast does the same in comfortable, semi-rural New England surroundings, sitting at a table cutting out paper hearts, wading through reeds with a net under a frog’s watchful eye, picnicking, contemplating a leafless tree outside for “November” and a decorated one inside for “December.” The thoughts and language are slightly elevated but not beyond the ken of children, and the pictures enrich the poetry with specific, often amusing, incidents. (Poetry. 6-10)

Pub Date: Sept. 15, 1999

ISBN: 0-8234-1445-0

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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