Though the factual information about Grant Wood is scanty, this fanciful story represents the power of friendship and the...
Loosely based on the life of Grant Wood, this is the story of the artist’s search for inspiration and his discovery that home—and a cow named Tillie—was all he needed to be happy.
Soft watercolors beautifully depict the rolling hillsides of rural Iowa, where Tillie is so content to live on a farm with her friend Grant that “at milking time, Tillie gave Grant gallons of frothy goodness.” He wants to be an artist, though, dreaming of being taken as seriously as French painters. Leaving Tillie behind, Grant travels to Paris in 1920. Smith’s illustrations nicely capture the Parisian art scene with broad strokes and open spaces, spaces that Wood occupies uneasily, with a beret and goatee that look pasted-on, an outsider who realizes that he needs to go home to paint what he loves. Meanwhile, a forlorn Tillie feels abandoned by her friend and walking companion, wasting away until they’re reunited. The book’s typeface is oddly small for the expansive illustrations and storyline, and it’s sometimes hard to read against the backdrop. A child might wonder why the artist’s eyes are invisible behind his eyeglasses, unlike the bespectacled man in Wood’s famous American Gothic, painted at the end of the story.
Though the factual information about Grant Wood is scanty, this fanciful story represents the power of friendship and the role of the familiar in the creative process. (author’s note) (Picture book. 4-7)Pub Date: Aug. 11, 2015
ISBN: 978-1-55498-446-6
Page Count: 32
Publisher: Groundwood
Review Posted Online: June 15, 2015
Kirkus Reviews Issue: July 1, 2015
A good bet for the youngest bird-watchers.
Echoing the meter of “Mary Had a Little Lamb,” Ward uses catchy original rhymes to describe the variety of nests birds create.
Each sweet stanza is complemented by a factual, engaging description of the nesting habits of each bird. Some of the notes are intriguing, such as the fact that the hummingbird uses flexible spider web to construct its cup-shaped nest so the nest will stretch as the chicks grow. An especially endearing nesting behavior is that of the emperor penguin, who, with unbelievable patience, incubates the egg between his tummy and his feet for up to 60 days. The author clearly feels a mission to impart her extensive knowledge of birds and bird behavior to the very young, and she’s found an appealing and attractive way to accomplish this. The simple rhymes on the left page of each spread, written from the young bird’s perspective, will appeal to younger children, and the notes on the right-hand page of each spread provide more complex factual information that will help parents answer further questions and satisfy the curiosity of older children. Jenkins’ accomplished collage illustrations of common bird species—woodpecker, hummingbird, cowbird, emperor penguin, eagle, owl, wren—as well as exotics, such as flamingoes and hornbills, are characteristically naturalistic and accurate in detail.
A good bet for the youngest bird-watchers. (author’s note, further resources) (Informational picture book. 4-7)Pub Date: March 18, 2014
ISBN: 978-1-4424-2116-5
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Jan. 3, 2014
Kirkus Reviews Issue: Jan. 15, 2014
There’s nothing especially new here, but the good-natured celebration of books, reading, and libraries will charm fellow...
A porcine hoarder of books learns to read—and to share.
The Book Hog’s obsession is clear from the start. Short declarative sentences describe his enthusiasm (“The Book Hog loved books”), catalog the things he likes about the printed page, and eventually reveal his embarrassing secret (“He didn’t know how to read”). While the text is straightforward, plenty of amusing visual details will entertain young listeners. A picture of the Book Hog thumbing through a book while seated on the toilet should induce some giggles. The allusive name of a local bookshop (“Wilbur’s”) as well as the covers of a variety of familiar and much-loved books (including some of the author’s own) offer plenty to pore over. And the fact that the titles become legible only after our hero learns to read is a particularly nice touch. A combination of vignettes, single-page illustrations and double-page spreads that feature Pizzoli’s characteristic style—heavy black outlines, a limited palette of mostly salmon and mint green, and simple shapes—move the plot along briskly. Librarians will appreciate the positive portrayal of Miss Olive, an elephant who welcomes the Book Hog warmly to storytime, though it’s unlikely most will be able to match her superlative level of service.
There’s nothing especially new here, but the good-natured celebration of books, reading, and libraries will charm fellow bibliophiles, and the author’s fans will enjoy making another anthropomorphic animal friend. (Picture book. 4-7)Pub Date: March 26, 2019
ISBN: 978-1-368-03689-4
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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