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LEO + LEA

Maybe a little forced, but the mathematical wonder is creatively incorporated.

A child who likes to count meets a new classmate who likes to draw. What could they possibly have in common?

In this sparely told and illustrated episode, Leo, depicted with Asian features, walks to school counting: one flower, two trees, three squirrels, five steps, eight new classmates, 13 raindrops on the window, and so on. One day, he meets Lea, a dark-skinned classmate who sits next to him drawing. Later, upset by his inability to count all the daisies he sees outside (the loud playground noises overwhelm him), Leo takes off across grassy fields to a peaceful glade, where he finds Lea and excitedly discovers that she’s drawn 21 leaves and 13 flowers. “I love / patterns / Want to / see more?” she asks. As Wesolowska explains in her author’s note, these numbers—echoed in the changing number of words on the pages of her narrative—represent the Fibonacci sequence: a progression of sums beginning 0, 1, 1, 2, 3, 5, 8, 13, 21 that mathematically generate what is known as the golden ratio and also reflect patterns of leaves, flower petals, and other features often found in nature. Aside from framing a warm portrayal of a friendship sparked by an unexpected connection, the plot and the device don’t seem to have all that much to do with each other, but the two don’t get in each other’s way, either. For clearer and more direct views of the sequence and its inventor, steer younger readers to Sarah C. Campbell’s Growing Patterns (2010), with photographs by Richard P. Campbell, or Joseph D’Agnese’s Blockhead (2010), illustrated by John O’Brien. Leo and Lea’s classmates are racially diverse. (This book was reviewed digitally.)

Maybe a little forced, but the mathematical wonder is creatively incorporated. (illustrator’s note) (Picture book. 6-8)

Pub Date: Aug. 2, 2022

ISBN: 978-1-338-30287-5

Page Count: 40

Publisher: Scholastic

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE NOTE WHO FACED THE MUSIC

Amusing but a little off tempo.

It’s important to hit all the right notes.

A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)

Amusing but a little off tempo. (glossary) (Picture book. 6-8)

Pub Date: March 14, 2023

ISBN: 978-1-64567-631-7

Page Count: 32

Publisher: Page Street

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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KONDO & KEZUMI VISIT GIANT ISLAND

From the Kondo & Kezumi series , Vol. 1

A story of friendship that is both lively and lovely

Two friends embark upon a high-seas adventure.

Kondo, a large lemon-colored creature with wide round eyes, spends his day on his island home with his best friend, tangerine-hued Kezumi. Together, they frolic on their idyllic isle picking berries (tall Kondo nabs the higher fruit while Kezumi helps to retrieve the lower) while surrounded by tiny “flitter-birds” and round “fluffle-bunnies.” One day, Kezumi finds a map in a bottle that declares “WE ARE NOT ALONE.” Inspired by visions of a larger world, Kondo and Kezumi fashion a boat from a bathtub and set sail. The pair visits fantastical islands—deliciously cheese-laden Dairy Isle, the fiery and fearsome Fireskull Island—until they eventually settle upon the titular Giant Island, where they meet Albert, a gigantic gray talking mountain who is—obviously—unable to leave. Enthralled by his new friends, Albert wants them to stay forever. After Albert makes a fraught decision, Kondo and Kezumi find themselves at a crossroads and must confront their new friend. Goodner and Tsurumi’s brightly illustrated chapter book should find favor with fans of Kate DiCamillo and Chris Van Dusen’s similarly designed Mercy Watson series. Short, wry, descriptive sentences make for an equally enjoyable experience whether read aloud or independently. Episodic chapters move the action along jauntily; the conclusion is somewhat abrupt, but it promises more exploration and adventures for the best friends. (This review was originally published in the June 1, 2019, issue. The book data has been updated to reflect changes in publisher and date of publication.)

A story of friendship that is both lively and lovely (Fantasy. 6-8)

Pub Date: Oct. 27, 2020

ISBN: 978-1-368-02577-5

Page Count: 80

Publisher: Little, Brown

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: July 15, 2020

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