Good old-fashioned melodrama, with plenty of sex and scheming.
In Domovitch’s debut novel, the fates of an ambitious young American architect and a beautiful Parisian painter intertwine.
The novel tells the parallel stories of Alex Ivanov, who’s at the onset of a promising career in architecture, and Brigitte Dartois, who escapes a string of dishonorable men to make a career as a painter. Spanning from the late-1940s to the 1960s, the novel follows Alex and Brigitte as they come of age, take control of their destinies and begin to see their respective stars rise. Born in poverty to a single, Russian-immigrant mother, Alex single-mindedly pursues his ambition, working night and day to learn his trade and establish himself. With no time for love or marriage, he uses his powerful good looks to seduce and leave a string of women; an entanglement with sexy Anne Turner, a secretary at his firm with an agenda of her own, threatens to cost him his hard-won position. Brigitte, who left home as a teenager, finds a job in a glamorous department store and becomes the target of her married boss’ extravagant attentions; he buys her a new wardrobe and sets her up in a lavish apartment. Upon realizing his motives, she flees to start a new life in Montmartre, selling her paintings in the market. Against the odds, Alex and Brigitte meet in Paris. They’re both uncertain about the future, but they find themselves drawn to each other despite their great differences. The novel has its flaws: The plot and characters are a bit generic, and many of Alex and Brigitte’s troubles result from the machinations of stock villains. The historical period is perfunctorily set, but Domovitch commendably handles the story, weaving together multiple subplots while creating passionate, ambitious characters who fight for what they want. She allows Alex and Brigitte enough complexity to prevent their eventual romance from seeming saccharine, although it’s not clear whether things will turn out well for them. The ambiguity and ominous developments that conclude the novel serve to dramatically set the stage for the novel’s sequel, The Sting of the Scorpio (2011), which follows the lovers to America.
Good old-fashioned melodrama, with plenty of sex and scheming.Pub Date: Sept. 15, 2011
ISBN: 978-1463790738
Page Count: 398
Publisher: Lansen Publishing
Review Posted Online: June 4, 2012
Kirkus Reviews Issue: July 15, 2012
Review Program: Kirkus Indie
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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